The Lonely Way—Intermezzo—Countess Mizzie: Three PlaysSchnitzler, Arthur
General
The Lonely Way—Intermezzo—Countess Mizzie: Three Plays
Schnitzler, Arthur
German drama -- Translations into English
Once, when we were in the museum together, I saw a picture of which I
often think. It has a meadow with knights and ladies in it--and a
forest, a vineyard, an inn, and young men and women dancing, and a big
city with churches and towers and bridges. And soldiers are marching
across the bridges, and a ship is gliding down the river. And farther
back there is a hill, and on that hill a castle, and lofty mountains in
the extreme distance. And clouds are floating above the mountains, and
there is mist on the meadow, and a flood of sunlight is pouring down on
the city, and a storm is raging over the castle, and there is ice and
snow on the mountains.--And when anybody spoke of "the wide world," or
I read that term anywhere, I used always to think of that picture. And
it used to be the same with so many other big-sounding words. Fear was
a tiger with cavernous mouth--love was a page with long light curls
kneeling at the feet of a lady--death was a beautiful young man with
black wings and a sword in his hand--and fame was blaring bugles, men
with bent backs, and a road strewn with flowers. In those days it was
possible to talk of all sorts of things, Felix. But to-day everything
has a different look--fame, and death, and love, and the wide world.
FELIX (_hesitatingly_)
I feel a little scared on your behalf, Johanna.
JOHANNA
Why, Felix?
FELIX
Johanna!--I wish you wouldn't do anything to worry father.
JOHANNA
Does that depend on me alone?
FELIX
I know in what direction your dreams are going, Johanna.--What is to
come out of that?
JOHANNA
Is it necessary that something comes out of everything?--I think,
Felix, that many people are destined to mean nothing to each other but
a common memory.
FELIX
You have said it yourself, Johanna--that you are not made to see other
people suffer.
JOHANNA (_shrinks slightly at those words_)
FELIX
Suffer ... and ...
JULIAN (_enters_)
How are you? (_He shakes hands with Felix_)
JOHANNA (_who has risen_)
Mr. Fichtner. (_She holds out her hand to him_)
JULIAN
I could hardly recognize you, Johanna. You have grown into a young lady
now.--Has your father not come home yet?
JOHANNA
He hasn't gone out yet. He has nothing to do at the Academy until
twelve.
JULIAN
I suppose he's in his studio?
JOHANNA
I'll call him.
[_Julian looks around. As Johanna is about to leave the room, Wegrat
enters, carrying his hat and stick._
WEGRAT (_giving his hand to Julian_)
I'm delighted, my dear fellow.
JULIAN
I heard of it only after my arrival here yesterday--through Sala. I
don't need to tell you ...
WEGRAT
Thank you very much for your sympathy. I thank you with all my
heart.--But sit down, please.
JULIAN
You were going out?
WEGRAT
Oh, it's no hurry. I have nothing to do in the Academy until twelve.
Johanna, will you please get a carriage for me, just to be on the safe
side?
[_Johanna goes out. Wegrat seats himself, as does Julian. Felix stands
leaning against the glazed oven._
WEGRAT
Public-domain text, read in full here on John Shaqi.
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