The Lonely Way—Intermezzo—Countess Mizzie: Three PlaysSchnitzler, Arthur
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The Lonely Way—Intermezzo—Countess Mizzie: Three Plays
Schnitzler, Arthur
German drama -- Translations into English
You think so...?!
AMADEUS
Cecilia! (_He suddenly draws her closer to himself_)
CECILIA (_with new hope lighting her glance_)
What are you doing?
AMADEUS (_putting his arms about her_)
I now bid good-by to my beloved.
CECILIA
Forever.
AMADEUS
Forever. (_Pressing her hand_) And now I am welcoming my friend.
CECILIA
For all time to come--nothing but your friend.
AMADEUS
For all time...? Of course!
CECILIA (_draws a deep breath_)
AMADEUS
Yes, Cecilia, don't you feel much easier all at once?
CECILIA
The whole thing seems very strange to me--like a dream almost.
AMADEUS
There is nothing strange about it. Nothing could possibly be simpler or
more sensible. Life goes right on ... and all is well.... Come on,
Cecilia--let us run through those songs.
CECILIA
What songs...?
AMADEUS
Don't you care?
CECILIA
Oh, why not?--With pleasure....
AMADEUS (_seating himself at the piano_)
Really, I can't tell you how happy this makes me! There has practically
been no change whatever. The uneasiness alone is gone ... that
uneasiness of the last few weeks.... I have not had a very happy time
lately. The sky has seemed so black above our house--and not only
above _ours_. Now the clouds are vanishing. The whole world has
actually grown light again. And I am going to write a symphony--oh, a
symphony...!
CECILIA
Everything in due time.... Just now let us have one of those songs at
least.... Oh, that one...?
AMADEUS
Don't you want it?
CECILIA
Oh, as it's there already....
AMADEUS
Now, then--I start. (_He strikes the first chord_) Please don't put a
lot of sentimentality into the opening words. They should be reserved
and ponderous.
CECILIA (_singing_)
"No more to meet you was my firm...."
AMADEUS
Very fine.
CECILIA
O Amadeus!
AMADEUS
What is it?
CECILIA
I am afraid you will become too lenient now.
AMADEUS
Lenient...? You know perfectly well that, as artist considered, you
have no rival in my eyes, and will never have one.
CECILIA
Really, Amadeus, you shouldn't be flirting with all your pupils.
AMADEUS
I have the greatest respect for you.--Now let's go in!
CECILIA
"No more to meet...."
AMADEUS
What's the matter?
CECILIA
Nothing. I haven't tried to sing anything like this for a long time. Go
right on!
AMADEUS (_begins playing again_)
CECILIA
"No more to meet you was my firm and sworn decision, and yet when
evening comes, I...."
CURTAIN
THE SECOND ACT
_The same room as in the previous act. It is an evening in October.
The stage is dark. Marie and the chambermaid enter together. The maid
turns on the light._
MARIE
Thank you.--But if your mistress is tired, please tell her she mustn't
let me disturb her.
CHAMBERMAID
She hasn't arrived yet. She's not expected until this evening.
AMADEUS (_enters from the right, with hat and overcoat on_) Who is
it?... Oh, is it you, Marie! Glad to see you. Have you been here long?
MARIE
No, I just got here. I meant to call on Cecilia, but I hear....
AMADEUS
Public-domain text, read in full here on John Shaqi.
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