Then it rose into the mournful wail of a wife looking upon a dead
face—a wordless, eloquent song. Then, with a burst, it rose into a
treble cry, and words became dimly recognisable amid the ecstasy.
“We come, we come, and we are not ashamed!” sang the women to the
snarling of the drums. “Let the fires roar and the bison meat be
cooked, for we have fought, and now we wish to eat!
“Let the women dance and sing that we may be glad after our fighting!
A-ho! A-ho! We travelled far—one sleep, two sleeps, three sleeps, but
we slumbered not! We came upon our enemies. They were hidden in the
grass like badgers. They were dressed in yellow grass that they might
hide. We saw them and we shouted with joy, for we were not afraid! The
enemy trembled like wolves who have come to the end of the ravine and
the hunters follow behind!”
As the women sang, shuffling about the circle, the braves rode in
single file into the enclosure of the village and formed a circle about
the dance.
“I saw a big man among my enemies,” sang the women, for so their
song ran. “He was strong as a bear and terrible as an elk. His head
was proud with eagle feathers, for many men had he killed. I did not
tremble when he rushed at me; I raised my club and struck him, and he
fell with his eagle feathers. He whimpered like an old woman when she
becomes a child again. He said, ‘I have many ponies for you, and my
children will cry if I do not go back. Spare me!’ But behold! I have
his scalp lock!”
“His scalp lock! His scalp lock!” shouted the braves, as the words of
the song were drowned again in the minor drone that followed the snarl
of the drums. And they waved scalp locks above their heads—the locks of
the fallen Sioux.
Out of the droning the song of the women grew again. It became more
ecstatic, running the gamut of human passion—from the shrill shriek of
defiance to the mournful wail for those who had fallen in the battle.
And then the shuffling stopped; the song died away into a drone and
ceased, like the song of a locust at the end of a sultry evening. The
drums snarled no more, a great silence fell, the sun had sunk beneath
the hills.
Then, in the silence and the shadows of the evening, one came forth
from among the circle of braves, and, with a slow, majestic bending of
the knees, danced in a circle about the women and the drums, that began
again as an accompaniment to the song that he would sing.
Round and round the circle he danced, improvising a song to the rhythm
of the drums, in which he sang his prowess, and the whole village
shouted when he reached the end of his song, for he told of a good
fight and a strong arm, and he had been great in battle.
Public-domain text, read in full here on John Shaqi.
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