Her musings were broken by the crying of the child. She took it in her
arms and held it to her breast, humming a low lullaby, half-persuaded
that the child was her own. But the child was frightened by the strange
voice and cried piteously. Then Shadow Flower thought, “It cries for
its father, yet its father has gone.” “Hush!” she said to the child;
“we will go and find the soul of Muzape Tunga; it cannot be far away.”
She wrapped a blanket about the infant, muffling its cries, and tied
it about her shoulders. Then she went silently through the village and
out into the open prairie, weird with the blue haze of the moon and the
lonesome cries of the wolves.
A rabbit hopped past and stopped near her as if gazing at the maiden.
“O Rabbit!” cried Shadow Flower, “tell me, have you seen the soul of
Muzape Tunga?”
The rabbit, awed by the strangeness of the voice, moved its long ears;
then it hopped away into the shades. The maiden followed and was
swallowed in the moonlit mist.
* * * * *
When the sun looked into the village, the women were stricken with
terror and the men with anger. The wise people shook their heads by
which to say: “Ah, yes; we thought such things of Nunda Nu.”
The days passed; the moons came and went; yet Shadow Flower did not
return. There was a common thought concerning her disappearance which
was never spoken aloud; but when the fires burned low and the night
grew late, it was often whispered with awe:
“She has gone in search of her soul; it fled last year with the
summer.”
VI
THE ART OF HATE
MANY tales have been told of noble sacrifice for love, and I have seen
such in my time; but I have in mind an instance in which a man reached
a sublime height through the least exalted of human passions—hate.
There are some who argue that love is born at first sight. However that
be, I am certain that it is often thus with hate. I have seen men in my
time the first sight of whom was an insult to me—sudden, stinging like
a slap on the cheek. It is a strange thing, and I have never heard it
explained satisfactorily. Sometimes in my own case I have attributed
it to even so slight a thing as a certain turn of the nose, a curve
of the lip, a droop of the eye. And again I have felt that it was due
to nothing visible about the man, but rather to some subtle emanation
from the very soul of him, that maddened me as though I had inhaled the
fumes of some devilish drug. Have you ever felt this?
Well, I am telling you about Zephyr Recontre.
He was a little, wiry half-breed, with a French father and a woman of
the Blackfeet tribe for a mother. Quite a promising combination, if you
think it over! I came across him ’way up at Fort Union in the early
’30’s, when I was in charge of a keel boat of the American Fur Company.
He was employed at the Fort as interpreter, being a fluent speaker of
several Indian tongues as well as English and French.
Public-domain text, read in full here on John Shaqi.
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