Detective and mystery stories; Fantômas (Fictitious character) -- Fiction
A peal of laughter emphasized the bandit’s last words, and Fandor
was still pondering what precisely these expressions signified when
Fantômas turned his attention to a task the object of which seemed
quite inexplicable. He proceeded to drag out into the middle of the
floor a tall stool, and depositing it there, climbed on the top, a
manœuvre which brought him on a level with an enormous Chinese lantern,
one of those huge lanterns of wrought iron and coloured glass, of
the kind to be seen in the streets of Pekin, and which are sometimes
imported from the East to be suspended in the vestibules of houses. By
what strange chances the thing had come to be hanging from the ceiling
of old Moche’s garret, it would be hard to say. Anyway, Fantômas must
long ago have noticed its being there. He leant over towards it, opened
the door, and this done, descended from his perch.
“There, Monsieur Fandor,” he announced, “inside there, you’ll be in the
best boxes for seeing the play—I may say in the grated boxes, for I’m
pretty confident nobody will see you. One can see from within outwards,
but not the reverse way.”
With a catlike dexterity, the man slipped off the long, black coat
enveloping him in its folds, and without seeming to make any special
effort, took up Fandor on his shoulders, mounted the stool once more,
and deposited the young man in the interior of the lantern!
“Now, Mr. Journalist, I refasten the door, by way of precaution, but
I give you full leave to look out of the window to see what happens.
You’ll see, not a doubt of it, the way Fantômas fights for his friends,
and even for you, his enemy!”
Yes, he would look, no fear of that—and Fandor, still bound and
ensconced inside the Chinese lantern, into which Fantômas had forced
him, his limbs cramped, his flesh bruised by the cords, half stilling,
glued his face to the painted panes of his extraordinary prison.
Jumping down again, Fantômas set to work with the very utmost rapidity.
He pushed back the stool against the wall. He hauled up against the
door a huge trunk stuffed full of papers to reinforce the crazy panels.
From his pocket he extracted a screwdriver, and in a very few minutes
had taken off the lock. Then, kneeling against the trunk, he produced a
revolver, the nickel-plated barrel of which glittered in the moonlight,
and passing the muzzle through the loophole where the lock had been
torn away, waited events.
Minute after minute passed in deadly silence. Presently, as often
happens in the most tragic situations, Fandor in the midst of all his
poignant anxieties, began to be tormented by yet another apprehension—a
fantastic fear that the lantern in which Fantômas had imprisoned him
was not strong enough to bear his weight.
“I’m going to come tumbling down!” thought the journalist, “to come
tumbling down directly, with a crash of broken glass and an appalling
rattle. That’s something Fantômas has failed to foresee. Pray God, it
might upset his plans!”
Public-domain text, read in full here on John Shaqi.
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