Friend, look in my canteen and see that I get justice.
A century must pass before that message faded; as for the coming of the
messenger, he would leave that to the Almighty.
The Desert Rat was going fast now. He moved back a few feet, fearful
that at the end he might obliterate his message. With his fading gaze
fixed on the mouth of the canyon he lay waiting, hoping, praying, brave
to the last ... and presently help came.
It was the Night Watchman!
CHAPTER III
Serenely indifferent to the fact that but a few hours' average running
time intervenes between it and San Francisco on the north, and Los
Angeles on the south, the little desert station of San Pasqual has
always insisted upon remaining a frontier town.
One can pardon San Pasqual readily for this apparent apathy. Not to do
so would savor strongly of an application of the doctrine of personal
responsibility in the matter of a child with a club-foot. San Pasqual
isn't responsible. It has nothing to be proud of, nothing to incite even
a sporadic outburst of civic pride. It never had.
Here, in this story, occurs a description. In a narrative of human
emotions, descriptions are, perhaps, better appreciated when they are
dispensed with unless, as in the case of San Pasqual, they are worth the
time and space and trouble. Assuming, therefore, that San Pasqual,
for all its failings, is distinctive enough to warrant this, we will
describe the town as it appeared early in the present decade; and, for
that matter, will continue to appear, pending the day when they strike
oil in the desert and San Pasqual picks itself together, so to speak,
and begins to take an interest in life. Until then, however, as a center
of social, scenic, intellectual and commercial activity, San Pasqual
will never attract globe-trotters, folks with Pilgrim ancestors or
retired bankers from Kansas and Iowa seeking an attractive investment in
western real estate.
San Pasqual is such a weather-beaten, sad, abject little town that one
might readily experience surprise that the trains even condescend to
stop there. It squats in the sand a few miles south of Tehachapi pass,
hemmed in by mountain ranges ocher-tinted where near by, mellowed by
distance into gorgeous shades of turquoise and deep maroon. They are
very far away, these mountains, even though their outlines are so
distinct that they appear close at hand. The desert atmosphere has cast
a kindly spell upon them, softening their hellish perspective into lines
of beauty in certain lights. It is well that this is so, for it helps to
dispel an illusion of the imaginative and impressionable when first they
visit San Pasqual--the illusion that they are in prison.
Public-domain text, read in full here on John Shaqi.
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