It has not. Donna has never been away from San Pasqual since the day she entered it a babe in arms, but--she presides over the news counter in addition to her other duties. Here she has access to all the latest “best-sellers,” also the big national magazines, and through these means she has kept pace with a world that is continually passing her by in Pullman sleepers. To her has been given the glorious gift of imagination, and dull, sordid, lonely San Pasqual, squatting there in the desert sands, cannot rob her of her dreams. Rather has she grown to tolerate the place, for at her will she can summon up a host of unreal people to throng its dreary single street; she can metamorphose the water tank into a sky-scraper, the long red lines of box cars on the sidings into rows of stately mansions. She reads and dreams much, for only between the arrival and departure of trains is she kept busy. She sends for books that would never find a sale in San Pasqual, and some day--ah! the glory of anticipation! she is going to Los Angeles, where the event of her life is to take place. Going to be married? No? No, indeed. She is going to a theater. So much for an intimate description of our leading lady as she appears when the curtain rises. But in all plays, whether in real life or on the stage, there must be a leading man. Very well, be patient. In due course he will appear. Donna has been dreaming much of this hero of late. His name is Gerald Van Alstyne, and he is tall, with curly golden hair, piercing blue eyes and a cleft chin; in short, a veritable Adonis and different, so different, from the traveling salesmen who leer at her across the counter and the loutish youths of San Pasqual who, despairing of her favor, call her by her first name because they know it annoys her. Donna has not the slightest doubt but that this young fellow will come rushing in to the eating-house some day, discover her when he comes to pay his check, and eventually return and keep on returning until that final happy day when they shall go away together, to walk hand in hand through green fields and listen to the birds and bees, to linger under the shade of green trees, to wander in an Elysium. She does not know what green fields and running water look like, but she has read about them-- The director's whistle is heard in the wings; the play is on at last! As Donna thrust the last hatpin through her glorious hair and turned to leave the place of her employment, her glance rested upon Mr. Harley P. Hennage, covertly watching her over the edge of his soup spoon. She removed her glove, walked around the end of the lunch counter and held out her hand. “Well, Mr. Hennage. This _is_ a delightful surprise. I'm _so_ glad to see you back in San Pasqual. Where have you been these past three years?” Harley P. scrambled down from his high stool, took her cool hand and blushed.