Harley P. Hennage had crossed from the eating-house, and had just
reached the porch of the Silver Dollar saloon, when above the whistling
of the “zephyr” he heard the muffled reports of three pistol shots.
One “Borax” O'Rourke, a “mule-skinner” from up Keeler way, who had just
arrived in San Pasqual to spend his pay-day after the fashion of the
country, heard them also.
“Down the tracks,” O'Rourke elucidated. “Tramps fightin' with a railroad
policeman, I guess. Let's go down.”
“What's the use?” objected Mr. Hennage. “A yegg never does any damage
unless he's right on top of his man. They all carry little short bulldog
guns, an' I never did see one o' them little bar pistols that would
score a hit at twenty yards after sundown. They carry high.”
At that instant the sound of another shot was heard, but faintly.
“That's the hobo” announced Mr. Hennage with conviction. “Them first
three shots came from a life-size gun.”
Half a minute passed; then came the report of six shots, following so
quickly upon each other that they sounded almost like a volley.
“Nine shots” commented “Borax” O'Rourke. “That's an automatic.”
“That's what it is!” Mr. Hennage walked to the end of the porch. He was
just a little excited. “It's all off with the hobo” he continued. “I
know the man that's using that automatic, and he can shoot your eye
out at a hundred yards. I saw him ridin' in just as I left the eatin'
house.”
“He must have been movin' to get down there in such a hurry. What's a
man on horseback doin' chasin' hobos across a web of railroad tracks,
an' if he was headed south, seems to me he'd have laid over for
supper--”
But Harley P. had a flash of inspiration now. “Come on, O'Rourke” he
shouted, and made a flying leap off the saloon porch. Borax followed,
and the two raced down the street at top speed--which, in the case of
Mr. Hennage, owing to his weight and his bow-legs, was not remarkable.
Borax easily outdistanced him.
Meanwhile, a rather spectacular panorama had been unfolding itself back
of the string of box-cars. Guided by Donna's screams, Bob McGraw sent
his horse away at a tearing gallop, lifting him in great leaps across
the maze of railroad tracks, and in a shower of flying cinders brought
him up, almost sitting, in the little foot-path between two lines of
track. Almost under Friar Tuck's front feet, Donna was struggling in
the grasp of three ruffians, one of whom was endeavoring to tie a
handkerchief across her mouth. The velocipede had been derailed by means
of a car-stake placed across the track.
Bob McGraw's long gun rose and fell three times, and at each deadly drop
a streak of flame punctured the moon-light. The three assailants went
down, shot through their respective legs--which remarkable coincidence
was not a coincidence at all, but merely a touch of kindly consideration
on the part of Bob McGraw, who didn't believe in killing his man when
wounding him would serve the same purpose.
Public-domain text, read in full here on John Shaqi.
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