The Long Day: The Story of a New York Working Girl, as Told by Herself — John Shaqi
The Long Day: The Story of a New York Working Girl, as Told by HerselfRichardson, Dorothy
History
The Long Day: The Story of a New York Working Girl, as Told by Herself
Richardson, Dorothy
Women -- Employment -- New York (State) -- New York -- History -- Sources
"Girls wanted to learn binding and folding--paid while learning." The
address took me to Brooklyn Bridge and down a strange, dark thoroughfare
running toward the East River. Above was the great bridge, unreal,
fairy-like in the morning mist. I was looking for Rose Street, which
proved to be a zigzag alley that wriggled through one of the great
bridge arches into a world of book-binderies. Rose Street was choked
with moving carts loaded with yellow-back literature done up in bales.
The superintendent proved to be a civil young man. He did not need me
before Monday, but he told me to come back that day at half-past seven
and to bring a bone paper-cutter with me. He paid only three dollars a
week, and I accepted, but with the hope that as this was only Thursday,
and not yet nine o'clock, I might find something better in the meantime.
A Brooklyn merchant was in need of two "salesladies--experience not
necessary." A trolley-car swirled me across the river, now glistering in
the spring sunshine. We were hurtled down interminable vistas of small
shops, always under the grim iron trestle of the elevated railroad. At
the end of an hour I entered the "Majestic," a small store stocked with
trash. After much dickering, Mr. Lindbloom and his wife decided I'd do
at three and a half dollars per week, working from seven in the morning
till nine in the evening, Saturdays till midnight. I departed with the
vow that if I must work and starve, I should not do both in Lindbloom's.
Five cents got me back to Cortlandt Street in Manhattan, where I called
upon a candy-manufacturer who wanted bonbon-makers. The French foreman,
in snowy cap and apron, received me in a great room dazzling with
white-tile walls and floor, and filled with bright-eyed girls, also in
caps and aprons, and working before marble tables. The Frenchman was
polite and apologetic, but they never hired any but experienced workers.
It was half-past three, and I had two more names on my list. Rose-making
sounded attractive, and I walked all the way up to Bond Street. Shabby
and prosaic, this street, strangely enough, has been selected as the
forcing-ground or nursery of artificial flowers. Its signs on both
sides, even unto the top floor, proclaim some specialization of
fashionable millinery--flowers, feathers, aigrets, wire hat-frames. On
the third floor, rear, of a once fashionable mansion, now fallen into
decay, I stumbled into a room, radiantly scarlet with roses. The
jangling bell attached to the door aroused no curiosity whatever in the
white-faced girls bending over these gay garlands. It was a signal,
though, for a thick-set beetle-browed young fellow to bounce in from the
next room and curtly demand my business.
"We only pay a dollar and a half to learners," he said, smiling
unpleasantly over large yellow teeth. I fled in dismay. Down Broadway,
along Bleecker, and up squalid Thompson Street I hurried to a paper-box
factory.
Public-domain text, read in full here on John Shaqi.
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