The Long Day: The Story of a New York Working Girl, as Told by HerselfRichardson, Dorothy
History
The Long Day: The Story of a New York Working Girl, as Told by Herself
Richardson, Dorothy
Women -- Employment -- New York (State) -- New York -- History -- Sources
"Be careful you don't get hurt," she cried, as we threaded a narrow
passage in and out among the stamping, throbbing machinery, where, by
the light that filtered through the grimy windows, I got vague, confused
glimpses of girl-faces shining like stars out of this dark, fearful
chaos of revolving belts and wheels, and above the bedlam noises came
girlish laughter and song.
"Good morning, Carrie!" one quick-witted toiler sang out as she spied
the new girl in tow of the forewoman, and suddenly the whole room had
taken up the burden of the song.
"Don't mind them," my conductor remarked. "They don't mean nothing by
it--watch out there for your head!"
Safe through the outlying ramparts of machinery, we entered the domain
of the table-workers, and I was turned over to Phoebe, a tall girl in
tortoise ear-rings and curl-papers. Phoebe was assigned to "learn" me in
the trade of "finishing." Somewhat to my surprise, she assumed the task
joyfully, and helped me off with my coat and hat. From the loud-mouthed
tirades as to "Annie Kinzer's nerve," it became evident that the
assignment of the job of "learner" is one to cause heartburning
jealousies, and that Phoebe, either because of some special adaptability
or through favoritism, got the lion's share of novices.
"That's right, Phoebe; hog every new girl that comes along!" amiably
bawled a bright-faced, tidy young woman who answered to the name of Mrs.
Smith. Mrs. Smith worked briskly as she talked, and the burden of her
conversation appeared to be the heaping of this sort of good-natured
invective upon the head of her chum--or, as she termed it, her
"lady-friend," Phoebe. The amiability with which Mrs. Smith dealt out
her epithets was only equaled by the perfect good nature of her victim,
who replied to each and all of them with a musically intoned, "Hot air!"
"Hot A--i--r!" The clear tones of Phoebe's soprano set the echoes
ringing all over the great workroom. In and out among the aisles and
labyrinthine passages that wind through towering piles of boxes, from
the thundering machinery far over on the other side of the "loft" to the
dusky recess of the uttermost table, the musical cry reverberated.
"Hot a--i--r!" Every few minutes, all through the long, weary day,
Phoebe found occasion for sounding that magic call.
"The rest of the ladies get up their backs something awful," Phoebe
explained as she dragged a big green pasteboard box from beneath the
work-table. "They say she gives me more 'n my share of learners because
I'm easy to get on with, I guess, and don't play no tricks on them....
You have a right to put your things in here along with my lunch. Them
girls is like to do 'most anything to a new girl's duds if you wuz to
hang them in the coat-room. Them Ginneys 'll do 'most anything. Wuz you
down-stairs when Celie Polatta got into the fight with Rosie?"
"I just missed it," she sighed in reply to my affirmative. "I was born
unlucky."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account