The Long Day: The Story of a New York Working Girl, as Told by HerselfRichardson, Dorothy
History
The Long Day: The Story of a New York Working Girl, as Told by Herself
Richardson, Dorothy
Women -- Employment -- New York (State) -- New York -- History -- Sources
"It is quite unnecessary," I replied; "but I will do so to satisfy you";
and I opened the purse again and showed my three remaining silver
pieces, which to further satisfy her I took out upon my palm and then
turned the purse's lining inside out.
But Mrs. Pitbladder did not seem impressed. I for my part resolved to be
equally insistent, inspired as I was with the determination that comes
to desperate people. There were fifteen cents due me, and nobody should
cheat me out of a single one of those precious pennies if I could
possibly prevent it. There was a short silence in which we took each
other's measure, the children looking on in evident enjoyment of the
situation. Finally the old lady opened the purse again and gave me the
change due, though she grumblingly maintained that it was I, not she,
who was in error.
When the door closed at last upon us, my small companion clutched my
hand and gave it a jubilant squeeze. "Golly! that did me good," she
whispered as we were going down-stairs. "She always lets on to make
mistakes about the girls' change, only most of 'em is so scairt of her
they just let her beat them out of it."
While the child went to find Mrs. Lumley I waited in the sitting-room.
It was an empty, ugly place, with bare floors and whitewashed walls, the
latter decorated, like those of the office, with framed scriptural
texts. Its furniture consisted of several long, slat-bottomed settees
and a single large rocking-chair which, crowded with children, was
swinging noisily over the bare boards. At our entrance the chair stopped
rocking, and one of the children climbed out.
It was Julia. She came promptly over to my side, while a half-dozen of
the other children jumped off the benches and ran to the rocking-chair
to squabble over the question of who should take the vacant place.
"Did yez have a row?" she asked eagerly. "Say, did yez?"
I evaded the question, thinking it neither advisable nor proper to
satisfy the curiosity of the little mite. To divert her attention, I
began questioning her about herself and her little companions--who were
they, what were they, and how did they come to be here?
"Why, don't you know?" the little one asked, looking at me in amazement.
"We're waifs!"
"Waifs! What sort of waifs?"
"Why, just waifs."
"But I didn't know this was an orphan-asylum," I said, looking about at
the children sitting in rows of two and three upon the scattered
settees.
"Oh, no, ma'am. We're not orfants," the child hastened to correct me;
"we're just waifs."
"And where are your fathers and mothers, then?" I cried.
"We ain't got none," Julia replied promptly, the little hand again
stealing through the long sleeve and stroking my much-admired skirt. She
had now snuggled down beside me upon the settee, and instinctively,
rather than from any desire to show friendliness, I drew my arm about
the small shoulders, which overture was interpreted as an invitation for
the cropped head to nestle closer.
Public-domain text, read in full here on John Shaqi.
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