Through the long morning the evidence had accumulated. One by one the
merciless rivets had been driven home by the prosecuting attorney. The
chain of evidence seemed flawless. And Harry Sevier's
cross-examination had seemed scarcely more than perfunctory--had
appeared somehow to miss that subtle and pregnant suggestion, that
longer reach that heretofore had uncovered a hitherto unnoted but
baffling doubt. Yet to those who knew him this but pointed to a more
effective climax, a more engrossing sensation when the psychological
moment should arrive and that appealing figure arise to insert the
nicely calculated spoke in the wheel that, under the manipulation of
the state's attorney, was rolling so swiftly in its ominous course; and
on the back-benches, where sat a group of members of the Country Club,
a whispered bet that the accused this time would not get off, found as
usual no taker.
Evidence finished, the Court rose for a recess and Harry vanished
through a side-door. Ten minutes later he was in his office. He
vouchsafed no word to the clerk who sat in the outer room, but passed
quickly through to the inner sanctum and closed and locked the door.
The self-control bred of the strenuous occupation of the court room had
slipped now from his face, leaving it suddenly strained. There were
moist drops upon his forehead but his hands were arid and dry. He drew
the blind to shut out the dull, grey, winter light and switched on the
electric desk-lamp, and as he did so his eyes turned stealthily to the
wall--to a locked cabinet whose key was in his pocket.
They turned again almost immediately to the baize-covered desk, where
stood a plain, flat silver frame. It held a photograph of a portrait
painted by Sargent which had been a _salon_ favourite of a few years
before. It was that of a young girl, seated and leaning intently
forward from an arm chair. One hand was at her throat, the other
dropped against the dusky shoulder of a dog stretched at her feet, and
in her dark eyes was the eternal question which maidenhood asks of
life. The lines of the face were cameo-like, and its southern beauty
held that particular blend of ingeniousness and hauteur that is the
result of the selection and inbreeding of generations. He stood still
a moment, looking fixedly at it, his tongue touching his lips, before
he crossed the room and turned the picture face-down upon the desk. He
almost ran to the cabinet, unlocked its mirrored door, and took from it
a bottle and a glass. He poured out a full goblet of the gurgling
liquid and drank it off. Then he drew a long breath.
Public-domain text, read in full here on John Shaqi.
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