He afterward recollected each adjunct of the scene--the stillness, the
pale gleam of the water, and the aromatic smell of fallen leaves, but the
alluring, central figure formed the sharpest memory. By and by she
clapped her hands, the ducks rose and flew away up-stream with necks
stretched out, and she came back toward him, laughing softly.
"Sometimes they will come almost up to my feet; but I'm afraid it's
hardly fair to inspire them with an undue confidence in human nature. It
might cost them dear."
"You're wonderful!" Lisle exclaimed, expressing what he felt, for she
seemed to him endowed with every gracious quality.
"Oh," she smiled, "there's nothing really remarkable in what I showed
you. I happened to find the nest and by slow degrees disarmed the mother
bird's suspicions; mallard have been domesticated, you know, though
they're often hard to get very near. But we may as well turn back; it's
now too late to see an otter. I'm inclined to think they're the shyest of
all the British wild creatures."
They moved away down-stream side by side, and some time later she left
him where a stile-path crossed a meadow.
"Come and see my drawings whenever you like," she said on parting.
Lisle determined to go as soon as possible. Quite apart from the
drawings, the idea of going had its attractions for him, and he walked
homeward determined that this girl should never marry Clarence Gladwyne.
It was unthinkable--that was the only word for it.
CHAPTER X
BELLA'S CHAMPION
It was early in the afternoon when Lisle arrived at Millicent's house
and, after a glance at its quaint exterior, was ushered into her
drawing-room. There he sat down and looked about while he waited. The
salient tones of its decoration were white and aqueous blue, and the
effect struck him as pleasantly chaste and cool. Among the rather mixed
ornaments were a couple of marble statuettes, the figures airily poised
and very finely wrought. Next, he noticed some daintily carved objects in
ivory, and a picture in water-color of a wide, gray stretch of moor with
distance and solitude skilfully conveyed. He had risen to examine it when
Millicent entered.
"I'm glad you came, though, as you're used to the life of the woods and
rivers, I'm a little diffident about showing you my sketches," she said.
"I'm afraid I've kept you waiting."
Lisle smiled and she liked the candidly humorous gleam in his eyes.
"Nasmyth warned me that I was early--or rather he said that if I were
going to visit anybody else I would have been too soon. I'd better
confess, however, that I've been making a good use of the time. Things of
this kind"--he indicated the statuettes--"are almost new to me. They
strike me as unusually fine."
Public-domain text, read in full here on John Shaqi.
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