Women -- History; Women -- Psychology; Women -- Social conditions
Although the visitors to the Devil Baby included persons of every
degree of prosperity and education, even physicians and trained nurses,
who assured us of their scientific interest, the story constantly
demonstrated the power of an old wives’ tale among thousands of men
and women in modern society who are living in a corner of their
own, their vision fixed, their intelligence held by some iron chain
of silent habit. To such primitive people the metaphor apparently is
still the very “stuff of life,” or rather no other form of statement
reaches them; the tremendous tonnage of current writing for them has no
existence. It was in keeping with their simple habits that the reputed
presence of the Devil Baby should not reach the newspapers until the
fifth week of his sojourn at Hull-House--after thousands of people had
already been informed of his whereabouts by the old method of passing
news from mouth to mouth.
For six weeks as I went about the house, I would hear a voice at the
telephone repeating for the hundredth time that day, “No, there is no
such baby”; “No, we never had it here”; “No, he couldn’t have seen
it for fifty cents”; “We didn’t send it anywhere, because we never
had it”; “I don’t mean to say that your sister-in-law lied, but there
must be some mistake”; “There is no use getting up an excursion from
Milwaukee, for there isn’t any Devil Baby at Hull-House”; “We can’t
give reduced rates, because we are not exhibiting anything”; and so
on and on. As I came near the front door, I would catch snatches of
arguments that were often acrimonious: “Why do you let so many people
believe it, if it isn’t here?” “We have taken three lines of cars to
come and we have as much right to see it as anybody else”; “This is a
pretty big place, of course you could hide it easy enough”; “What are
you saying that for, are you going to raise the price of admission?”
We had doubtless struck a case of what the psychologists call the
“contagion of emotion” added to that “æsthetic sociability” which
impels any one of us to drag the entire household to the window when
a procession comes into the street or a rainbow appears in the sky.
The Devil Baby of course was worth many processions and rainbows, and
I will confess that, as the empty show went on day after day, I quite
revolted against such a vapid manifestation of even an admirable human
trait. There was always one exception, however; whenever I heard the
high eager voices of old women, I was irresistibly interested and left
anything I might be doing in order to listen to them. As I came down
the stairs, long before I could hear what they were saying, implicit in
their solemn and portentous old voices came the admonition:--
“Wilt thou reject the past
Big with deep warnings?”
Public-domain text, read in full here on John Shaqi.
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