The Long VacationYonge, Charlotte M. (Charlotte Mary)
History
The Long Vacation
Yonge, Charlotte M. (Charlotte Mary)
Upper class -- England -- History -- 19th century -- Fiction; Vacations -- Fiction
“Indeed?” observed his uncle, in a tone of surprise.
“Oh,” said Gerald coolly, “I have sent little things to the ‘Censor’
before, which they seem to regard in the light of pickles and laver.”
The ‘Censor’ was an able paper on the side of philosophical politics,
and success in that quarter was a feather in the young man’s cap, though
not quite the kind of feather his elders might have desired.
“Journalism is a kind of native air to us,” said Mrs. Grinstead, “but
from ‘Pur.’”
“‘Pur’ is the element of your dear old world, Cherie,” said Gerald, “and
here am I come to do your bidding in its precincts, for a whole long
vacation.”
He spoke lightly, and with a pretty little graceful bow to his aunt, but
there was something in his eyes and smile that conveyed to her a dread
that he meant that he only resigned himself for the time and looked
beyond.
“Uncle Lance is coming,” volunteered Adrian.
“Yes,” said Geraldine. “Chorister that he was, and champion of
Church teaching that he is, he makes the cause of Christian education
everywhere his own, and is coming down to see what he can do
inexpensively with native talent for concert, or masque, or
something--‘Robin Hood’ perhaps.”
“Ending in character with a rush on the audience?” said Gerald.
“Otherwise ‘Robin Hood’ is stale.”
“Tennyson has spoilt that for public use,” said Mrs. Grinstead. “But was
not something else in hand?”
“Only rehearsed. It never came off,” said Gerald.
“The most awful rot,” said Adrian. “I would have nothing to do with it.”
“In consequence it was a failure,” laughed Gerald.
“It was ‘The Tempest’, wasn’t it?” said Anna.
“Not really!” exclaimed Mrs. Grinstead.
“About as like as a wren to an eagle,” said Gerald.
“We had it at the festival last winter. The authors adapted the plot,
that was all.”
“The authors being--
“The present company,” said Gerald, “and Uncle Bill, with Uncle Lance
supplying or adapting music, for we were not original, I assure you.”
“It was when Uncle Clem was ill,” put in Anna, “and somehow I don’t
think we took in the accounts of it.”
“No,” said Gerald, “and nobody did it con amore, though we could not put
it off. I should like to see it better done.”
“Such rot!” exclaimed Adrian. “There’s an old man, he was Uncle Lance
with the great white beard made out of Kit’s white bear’s skin, and he
lived in a desert island, where there was a shipwreck--very jolly if you
could see it, only you can’t--and the savages--no, the wreckers all came
down.”
“What, in a desert island?”
“It was not exactly desert. Gerald, I say, do let there be savages. It
would be such a lark to have them all black, and then I’d act.”
“What an inducement!”
“Then somebody turned out to be somebody’s enemy, and the old chap
frightened them all with squibs and crackers and fog-horns, till
somebody turned out to be somebody else’s son, and married the
daughter.”
“If you trace ‘The Tempest’ through that version you are clever,” said
Gerald.
Public-domain text, read in full here on John Shaqi.
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