The Long VacationYonge, Charlotte M. (Charlotte Mary)
History
The Long Vacation
Yonge, Charlotte M. (Charlotte Mary)
Upper class -- England -- History -- 19th century -- Fiction; Vacations -- Fiction
The next evening there was time for a grand review in the parish
school-room of all possible performers on the spot. In the midst,
however, a sudden fancy flashed across Lancelot that there was something
curiously similar between those two young people who occupied the
stage, or what was meant to be such. Their gestures corresponded to one
another, their voices had the same ring, and their eyes wore almost of
the same dark colour. Now Gerald’s eyes had always been the only part of
him that was not Underwood, and had never quite accorded with his fair
complexion.
“Hungarian, I suppose,” said Lance to himself, but he was not quite
satisfied.
What struck him as strange was that though dreadfully shy and frightened
when off the stage, as soon as she appeared upon it, though not yet in
costume, she seemed to lose all consciousness that she was not Mona.
Perhaps Mrs. Henderson could have told him. Her husband being manager
and partner at Mr. White’s marble works, she had always taken great
interest in the young women employed, had actually attended to their
instruction, assisted in judging of their designs, and used these
business relations to bring them into inner contact with her, so that
her influence had become very valuable. She was at the little room which
she still kept at the office, when there was a knock at the door, and
“Miss Schnetterling” begged to speak to her. She felt particularly
tender towards the girl, who was evidently doing her best in a trying
and dangerous position, and after the first words it came out--
“Oh, Mrs. Henderson, do you think I must be Mona?”
“Have you any real objection, Lydia? Mr. Flight and all of them seem to
wish it.”
“Yes, and I can’t bear not to oblige Mr. Flight, who has been so good,
so good!” cried Lydia, with a foreign gesture, clasping her hands.
“Indeed, perhaps my mother would not let me off. That is what frightens
me. But if you or some real lady could put me aside they could not
object.”
“I do not understand you, my dear. You would meet with no unpleasantness
from any one concerned, and you can be with the fairy children. Are you
shy? You were not so in the fairy scenes last winter--you acted very
nicely.”
“Oh yes, I liked it then. It carries me away; but--oh! I am afraid!”
“Please tell me, my dear.”
Lydia lowered her voice.
Public-domain text, read in full here on John Shaqi.
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