The Long White Cloud: "Ao Tea Roa"Reeves, William Pember
History
The Long White Cloud: "Ao Tea Roa"
Reeves, William Pember
Ethnology -- New Zealand; New Zealand
It is true that travellers may come to the Islands and leave them with
no notion of a New Zealand river, except a raging mountain torrent,
hostile to man and beast. Or they may be jolted over this same torrent
when, shrunk and dwindled in summer heat to a mere glittering thread,
it meanders lost and bewildered about a glaring bed of hot stones. But
then railways and ordinary lines of communication are chiefly along
the coasts. The unadventurous or hurried traveller sticks pretty
closely to these. It happens that the rivers, almost without
exception, show plainer features as they near the sea.
He who wishes to see their best must go inland and find them as they
are still to be found in the North Island, winding through untouched
valleys, under softly-draped cliffs, or shadowed by forests not yet
marred by man. Or, in the South Island, they should be watched in the
Alps as, milky or green-tinted, their ice-cold currents race through
the gorges.
[Illustration: ON A RIVER--"PAPA" COUNTRY
Photo by A. MARTIN, Wanganui.]
Of forest rivers, the Wanganui is the longest and most famous, perhaps
the most beautiful. Near the sea it is simply a broad river, traversed
by boats and small steamers, and with grassy banks dotted with weeping
willows or clothed with flax and the palm-lily. But as you ascend it
the hills close in. Their sides become tall cliffs, whose feet the
water washes. From the tops of these precipices the forest, growing
denser and richer at every turn, rises on the flanks of the hills. In
places the cliffs are so steep and impracticable that the Maoris use
ladders for descending on their villages above to their canoes in the
rivers below. Lovely indeed are these cliffs; first, because of the
profusion of fern frond, leaf, and moss, growing from everything that
can climb to, lay hold of, or root itself in crack, crevice, or ledge,
and droop, glistening with spray-drops, or wave whispering in the
wind; next, because of the striking form and colour of the cliffs
themselves. They are formed of what is called "Papa." This is a
blue, calcareous clay often found with limestone, which it somewhat
resembles. The Maori word "papa" is applied to any broad, smooth,
flattish surface, as a door, or to a slab of rock. The smooth,
slab-like, papa cliffs are often curiously marked--tongued and
grooved, as with a gouge, channelled and fluted. Sometimes horizontal
lines seem to divide them into strata. Again, the lines may be winding
and spiral, so that on looking at certain cliffs it might be thought
possible that the Maoris had got from them some of their curious
tattoo patterns. Though pale and delicate, the tints of the rock are
not their least beauty. Grey, yellow, brown, fawn, terra-cotta, even
pale orange are to be noted. No photograph can give the charm of
the drapery that clothes these cliffs. Photographs give no light or
colour, and New Zealand scenery without light and colour is Hamlet
with Hamlet left out.
Public-domain text, read in full here on John Shaqi.
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