Autobiographical fiction; England -- Fiction; Marriage -- Fiction; Teachers -- Fiction
While he spoke even the road vanished, and invisible water came
gurgling through the wheel-spokes. The horse had chosen the ford. “You
can’t own people. At least a fellow can’t. It may be different for a
poet. (Let the horse drink.) And I want to marry some one, and don’t
yet know who she is, which a poet again will tell you is disgusting.
Does it disgust you? Being nothing much, surely I’d better go gently.
For it’s something rather outside that makes one marry, if you follow
me: not exactly oneself. (Don’t hurry the horse.) We want to marry, and
yet—I can’t explain. I fancy I’ll go wading: this is our stream.”
Romantic love is greater than this. There are men and women—we know it
from history—who have been born into the world for each other, and for
no one else, who have accomplished the longest journey locked in each
other’s arms. But romantic love is also the code of modern morals, and,
for this reason, popular. Eternal union, eternal ownership—these are
tempting baits for the average man. He swallows them, will not confess
his mistake, and—perhaps to cover it—cries “dirty cynic” at such a
man as Stephen.
Rickie watched the black earth unite to the black sky. But the sky
overhead grew clearer, and in it twinkled the Plough and the central
stars. He thought of his brother’s future and of his own past, and of
how much truth might lie in that antithesis of Ansell’s: “A man wants
to love mankind, a woman wants to love one man.” At all events, he and
his wife had illustrated it, and perhaps the conflict, so tragic in
their own case, was elsewhere the salt of the world. Meanwhile Stephen
called from the water for matches: there was some trick with paper
which Mr. Failing had showed him, and which he would show Rickie now,
instead of talking nonsense. Bending down, he illuminated the dimpled
surface of the ford. “Quite a current,” he said, and his face flickered
out in the darkness. “Yes, give me the loose paper, quick! Crumple it
into a ball.”
Rickie obeyed, though intent on the transfigured face. He believed
that a new spirit dwelt there, expelling the crudities of youth. He
saw steadier eyes, and the sign of manhood set like a bar of gold upon
steadier lips. Some faces are knit by beauty, or by intellect, or by a
great passion: had Stephen’s waited for the touch of the years?
But they played as boys who continued the nonsense of the railway
carriage. The paper caught fire from the match, and spread into a
rose of flame. “Now gently with me,” said Stephen, and they laid it
flower-like on the stream. Gravel and tremulous weeds leapt into sight,
and then the flower sailed into deep water, and up leapt the two arches
of a bridge. “It’ll strike!” they cried; “no, it won’t; it’s chosen the
left,” and one arch became a fairy tunnel, dropping diamonds. Then it
vanished for Rickie; but Stephen, who knelt in the water, declared that
it was still afloat, far through the arch, burning as if it would burn
forever.
XXXIV
Public-domain text, read in full here on John Shaqi.
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