Autobiographical fiction; England -- Fiction; Marriage -- Fiction; Teachers -- Fiction
“Ansell—” Then he burst forth. “Ansell isn’t a gentleman. His father’s
a draper. His uncles are farmers. He’s here because he’s so clever—just
on account of his brains. Now, sit down. He isn’t a gentleman at all.”
And he hurried off to order some dinner.
“What a snob the boy is getting!” thought Agnes, a good deal mollified.
It never struck her that those could be the words of affection—that
Rickie would never have spoken them about a person whom he disliked.
Nor did it strike her that Ansell’s humble birth scarcely explained
the quality of his rudeness. She was willing to find life full of
trivialities. Six months ago and she might have minded; but now—she
cared not what men might do unto her, for she had her own splendid
lover, who could have knocked all these unhealthy undergraduates into a
cocked-hat. She dared not tell Gerald a word of what had happened: he
might have come up from wherever he was and half killed Ansell. And she
determined not to tell her brother either, for her nature was kindly,
and it pleased her to pass things over.
She took off her gloves, and then she took off her ear-rings and began
to admire them. These ear-rings were a freak of hers—her only freak.
She had always wanted some, and the day Gerald asked her to marry him
she went to a shop and had her ears pierced. In some wonderful way
she knew that it was right. And he had given her the rings—little
gold knobs, copied, the jeweller told them, from something prehistoric
and he had kissed the spots of blood on her handkerchief. Herbert, as
usual, had been shocked.
“I can’t help it,” she cried, springing up. “I’m not like other girls.”
She began to pace about Rickie’s room, for she hated to keep quiet.
There was nothing much to see in it. The pictures were not attractive,
nor did they attract her—school groups, Watts’ “Sir Percival,” a dog
running after a rabbit, a man running after a maid, a cheap brown
Madonna in a cheap green frame—in short, a collection where one
mediocrity was generally cancelled by another. Over the door there hung
a long photograph of a city with waterways, which Agnes, who had never
been to Venice, took to be Venice, but which people who had been to
Stockholm knew to be Stockholm. Rickie’s mother, looking rather sweet,
was standing on the mantelpiece. Some more pictures had just arrived
from the framers and were leaning with their faces to the wall, but she
did not bother to turn them round. On the table were dirty teacups, a
flat chocolate cake, and Omar Khayyam, with an Oswego biscuit between
his pages. Also a vase filled with the crimson leaves of autumn. This
made her smile.
Public-domain text, read in full here on John Shaqi.
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