Many lovers of country life, peripatetic artists and chance pedestrians
for the most part, came to the village with this notion firmly impressed
upon them, and, visiting the old bee-garden and finding the old beautiful
things there in abundance, went no farther, and became no wiser. They
wandered round the crooked, red-tiled paths of the garden with its
ancient proprietor; stooped under bowers of living gold and purple; waded
through seas of scarlet poppy and blue forget-me-not and tawny
mignonette; came upon old beehives in all sorts of shady, unpremeditated
corners; and steeped themselves in mediævalism up to the eyes. The very
song of the bees seemed to belong entirely to past days. None, surely,
but a hopeless Vandal could put a colony of bees in one of the ugly
square hives, and expect them to go honey-seeking in the old harmonious,
happy way, sanctified of the ages. And so they never ventured up the
hill to the great bee-farm, but kept to the garden below, and listened by
the hour together to the quaint talk of its white-headed, smock-frocked
owner, or stood valiantly at the foot of the ladder when he climbed up to
dislodge a swarm from the moss-grown apple-boughs, or helped him to scour
the new straw skeps with handfuls of mint and lavender, or beat out
weird, unskilful music with the door-key on the old brass-pan when a
swarm was high in the air.
Much could be learnt, it is true, from quiet days spent in the old
bee-garden, especially in May, before the earliest swarms were ready to
forsake the hives.
Public-domain text, read in full here on John Shaqi.
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