Apart, however, from the old dim tales of ancient mythology, where there
is a romance to account for all beginnings of the world and everything
upon it, any attempt to trace back the art of bee-keeping to its earliest
inception cannot fail to bring us to the conclusion that it is inevitably
and literally the oldest craft under the sun. Thousands of years before
the Great Pyramid was built, bee-keeping must have been an established
and traditional occupation of man. It must have been common knowledge,
stamped with the authority of the ages, that a beehive, besides its
toiling multitudes, contained a single large ruling bee, divine examplar
of royalty; for how else would the bee have been chosen to represent a
King in the Egyptian hieroglyphic symbols? But it is not only within the
limit of historical times, however remote, that evidences of bee-culture,
or at least of man’s use of honey and wax in his daily life, are to be
found or inferred. So far back as the Bronze Age it is certain that wax
was used in casting ornaments and weapons. A model of the implement was
first made in some material that would perish under heat. This was
imbedded in clay, and the model burnt out, after which the mould thus
formed was filled with the molten metal. These models, no doubt, were in
many cases carved out of wood; but it is certain that another and more
ductile material was often used. Bronze ornaments have been found with
thumb-marks upon them, obviously chance impressions on the original model
faithfully reproduced. And the substance of these models could hardly
have been anything else than beeswax.
Public-domain text, read in full here on John Shaqi.
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