The lost Atlantis, and other ethnographic studiesWilson, Daniel, Sir
History
The lost Atlantis, and other ethnographic studies
Wilson, Daniel, Sir
America -- Antiquities; Atlantis (Legendary place); Ethnology -- America; Indians of North America -- Antiquities
moreover, Iberian, Hittite, Egyptian, Phœnician, or other of the world’s
gray fathers, transplanted to America the germs of its long indigenous
stock, we look in vain for any traces of their Old World civilisation
north of the Mexican Gulf. Nor is it by any means an established truth
that the arts of Central America or Peru are of any very great
antiquity. Their metallurgy was at a crude, yet suggestive, stage at
which it was not likely to be long arrested. The same may be said of
their hieroglyphic records; though they certainly present some highly
significant analogies to the Chinese phase of word-writing, calculated,
along with other aspects of resemblance to that stage of partial, yet
long-enduring, civilisation of which China is the Asiatic exemplar, to
modify our estimate of the possible duration of Central and Southern
American civilisation. Nevertheless the assumption of an antiquity in
any degree approximating to that of Egypt seems wholly irreconcilable
with the evidence. Their architecture was barbaric, though imposing from
the scale on which their great temples and palaces were built. In
Central America especially, the aggregation of numerous ill-lighted
little chambers, like honey-comb cells excavated out of the huge pile,
is strongly suggestive of affinity to the Casas Grandes, and the Pueblos
of the Zuñi; and this is confirmed by the correspondence traceable
between many of their architectural details and the ornamentation of the
Pueblo pottery.
The astronomy and the calendars, both of Mexico and Peru, with their
detailed methods of recording their divisions of time, are all
suggestive of an immature phase of civilisation in the very stage of its
emergence from barbarism, modified, in some cases, by the recent
acquisition of certain arts. As to the peculiar phase of Mexican art,
and whatever other evidence of progress Mexico supplies, they appear to
me no more than natural products of the first successful intrusion of
the barbarians of the northern continent on the seats of tropical
civilisation. Certain it seems, at least, that if an earlier
civilisation had ever existed in the north, or if the representatives of
any Old World type were present there in numbers for any length of time,
some traces of their lost arts must long since have come to light.
Public-domain text, read in full here on John Shaqi.
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