The lost Atlantis, and other ethnographic studiesWilson, Daniel, Sir
History
The lost Atlantis, and other ethnographic studies
Wilson, Daniel, Sir
America -- Antiquities; Atlantis (Legendary place); Ethnology -- America; Indians of North America -- Antiquities
obtained in response a rendering of the text which literally meant: “The
mother of Sisera looked through an eel-pot.” It was the only kind of
wicker-work of which the Indian had any knowledge.
Evidences of an exceptional development of the æsthetic faculty among
the nations of the New World have already been noted; but the Iroquois
cannot be included among those specially noticeable for their imitative
powers, or in other ways furnishing evidence of any highly developed
artistic faculty. They cannot compare in this respect with the Zuñi or
others of the Pueblo Indians, among whom the arts of long-settled
agricultural communities have been developed for purposes of ornament as
well as utility; nor is their inferiority less questionable when we
compare them with some of the tribes of the north-west coast and the
neighbouring islands. Their languages confirm this; for while, as Mr.
Cushing has shown, the Zuñi language possesses many words relating to
art-processes, the Iroquois and Algonkin dialects supply such terms for
the most part only in descriptive holophrasms, and not in primitive
roots.
In Iroquois, the word _kar_ or _kare_ signifies “to paint” or “draw.”
The initial _k_ in Iroquois words is usually not radical, and so rarely
enters into composite terms. The root of _kar_, is _ar_ or _are_, which
added to _kaiata_, or _oiata_, “living thing, person, body,” makes
_kaiatare_, “image” or “likeness,” _i.e._ “pictured body,” or as a verb
“to paint” or “depict anything.” To this is added the verbal suffix _ta_
or _tha_, which occasionally becomes _stha_, and has different meanings,
causative and instrumental. The Mohawk supplies such words and terms of
art as _ahyeyatonh_, “to grave”; _rahyatonhs_, “an engraver”;
_ahyekonteke_, “to paint”; _rakonteks_, “a painter”; _s’hakoyatarha_,
“an artist”; _rahkaratahkwas_, “a carver”; _rateanakerahtha_, “a
modeller,” or “one who models figures in clay.” In the Iroquois version
of the Gospel of St. John, chap. viii. verse 6 reads thus: _Nok tanon ne
Iesos wathastsake ehtake nok rasnonsake_ (more correctly, _rasnonkenh_)
_warate wahiaton onwentsiake_, lit. “But instead Jesus bent low and with
hand used, wrote,” or “engraved, on the earth.” The version of the
second commandment in the Mohawk Prayer-Book affords another
illustration, in the holophrasm _asadatyaghdoenihseroenyea_. It is
compounded of _ahsonniyon_, “make”; _ahsadadonnyen_, “to make for
yourself”; _kayadonnihsera_, “an image” or “doll.” _Toghsa
asadatyaghdoenihseroenyea, shekonh othenouh taoesakyatayerea nene enekea
karouhyakouh, neteas eghtake oughweatsyakonh_, etc., lit. “Do not make
an image or idol for yourself, even anything like above in the sky, nor
below in the earth,” etc.
Public-domain text, read in full here on John Shaqi.
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