Arthur, King -- Homes and haunts -- England -- Cornwall (County); Cornwall (England : County) -- Antiquities, Celtic
According to Malory it was “Not long after that,” that Joseph was
“laid in his death bed,” his last act being to make “a crosse of his
owne blood” upon the shield before giving it to King Evelake. “Now
may yee see a remembrance that I love you,” he said, “for yee shall
never see this shield but that yee shall thinke on mee, and it shall
be alwayes as fresh as it is now. And never shall no man beare this
shielde about his necke but hee shall repent it, unto the time that
Sir Galahad the good knight beare it.” It is the general opinion that
Joseph of Arimathæa was buried in the ground surrounding the church of
his foundation, for a burial ground to contain a thousand graves had
been prepared in his time. William of Malmesbury wrote that there were
preserved in that consecrated place “the remains of many saints, nor is
there any space in the building that is free of their ashes. So much
so that the stone pavement, and indeed the sides of the altar itself,
above and below, is crammed with the multitude of the relics. Rightly,
therefore, it is called the heavenly sanctuary on earth, of so large a
number of saints it is the repository.” There is no clear record of who
immediately succeeded Joseph, but his ministry was carried on by St.
Patrick, who was a native of Glastonbury,[33] by St. David, by Gildas,
and by Dunstan. It was St. Patrick who, returning from his labours
in Ireland in 461, found that the church built with wattles from the
marsh was in a state of decay, and erected a substantial edifice on
Tor Hill, dedicated to St. Mary and St. Michael. He was Glastonbury’s
first abbot, though this fact is traditionary rather than historical,
and his grave was near the altar of the original church. An oratory had
previously existed on the site, having been founded a century after
Joseph’s arrival by two saints, Phaganus and Duruvianus. The Abbey
itself now began to take definite shape, the eyes of all Christians
being drawn to Glastonbury by reason of its sacred record. In the sixth
century, in King Arthur’s time, it was approaching its fulness of power
and nearing that zenith of fame and splendour which did not decline for
nearly a thousand years.
[Illustration: WELLS CATHEDRAL
[_To face p. 236_]
Public-domain text, read in full here on John Shaqi.
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