"That is likely enough," Mr. Gaskell answered, coolly; "for as in the
history of the race or individual, increased culture and a finer mental
susceptibility necessarily impair the brute courage and powers of
endurance which we note in savages, so any supernatural vision such
as you have seen must be purchased at the cost of physical reaction.
From the first evening that we played this music, and heard the noises
mimicking so closely the sitting down and rising up of some person, I
have felt convinced that causes other than those which we usually call
natural were at work, and that we were very near the manifestation of
some extraordinary phenomenon."
"I do not quite apprehend your meaning."
"I mean this," he continued, "that this man or spirit of a man has been
sitting here night after night, and that we have not been able to see
him, because our minds are dull and obtuse. Last night the elevating
force of a strong passion, such as that which you have confided to me,
combined with the power of fine music, so exalted your mind that you
became endowed, as it were, with a sixth sense, and suddenly were
enabled to see that which had previously been invisible. To this sixth
sense music gives, I believe, the key. We are at present only on the
threshold of such a knowledge of that art as will enable us to use it
eventually as the greatest of all humanising and educational agents.
Music will prove a ladder to the loftier regions of thought; indeed I
have long found for myself that I cannot attain to the highest range of
my intellectual power except when hearing good music. All poets, and
most writers of prose, will say that their thought is never so exalted,
their sense of beauty and proportion never so just, as when they are
listening either to the artificial music made by man, or to some of the
grander tones of nature, such as the roar of a western ocean, or the
sighing of wind in a clump of firs. Though I have often felt on such
occasions on the very verge of some high mental discovery, and though
a hand has been stretched forward as it were to rend the veil, yet it
has never been vouchsafed me to see behind it. This you no doubt were
allowed in a measure to do last night. You probably played the music
with a deeper intuition than usual, and this, combined with the
excitement under which you were already labouring, raised you for a
moment to the required pitch of mental exaltation."
"It is true," John said, "that I never felt the melody so deeply as when
I played it last night."
Public-domain text, read in full here on John Shaqi.
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