The Love Affairs of Great Musicians, Volume 1Hughes, Rupert
History
The Love Affairs of Great Musicians, Volume 1
Hughes, Rupert
Composers -- Biography
The blind are usually placid and trustful; it is the major affliction of
the deaf that they grow suspicious of their intimates and abhorrent of
themselves. There is nothing in history more majestic than the battle of
this giant soul against his doom; nothing more heartrending than his
bitter outcries; nothing loftier than his high determination to serve
his turn on earth in spite of all. He was the very King Lear of music,
trudging his lonely way with heart broken and hair wild in the storms
that buffeted him vainly toward the cliffs of self-destruction.
To such a man a home was a refuge pitifully needed, and for a while
longingly sought. I have mentioned various women to whom he offered the
glorious martyrdom that a life with him must needs have been. There were
two others whom he deeply loved. One of these was the famous Italienne,
whose very name is honey and romance as he writes it in the dedication
of his "Moonlight Sonata" (Op. 27, No. 2)--"_alla damigella contessa
Giulietta Guicciardi."_ It was in 1802, when he was thirty-two and she
eighteen, that he wrote her so luscious name on the lintel of that
sonata, so deep with yearning, so delicious in its middle mood, and so
passionately despairing in its close. She had been his pupil. She told
Otto Jahn long years after, when she was sixty-eight years old, that
Beethoven had first inscribed to her the Rondo, Op. 51, No. 2, but, in
his fickle way, he transcribed it to the Countess Lichnowsky, and put
her own name over the "Moonlight Sonata" instead.
It was probably the beauty and tender reciprocation of Giulietta that
inspired Beethoven to write to Wegeler in 1801:
"Life has been a little brighter to me of late, since I have mingled
more with my fellows. I think you can have no idea, how sad, how
intensely desolate, my life has been during the last two years. My
deafness, like a spectre, appears before me everywhere, so that I flee
from society, and am obliged to act the part of a misanthrope, though
you know I am not one by nature. This change has been wrought by a dear,
fascinating girl, whom I love, and who loves me. After two years, I bask
again in the sunshine of happiness, and now, for the first time, I feel
what a truly happy state marriage might be. Unfortunately, she is not of
my rank in life. Were it otherwise, I could not marry now, of course; so
I must drag along valiantly. But for my deafness, I should long ago have
compassed half the world with my art--I must do it still. There exists
for me no greater happiness than working at and exhibiting my art. I
will meet my fate boldly. It shall never succeed in crushing me."
Public-domain text, read in full here on John Shaqi.
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