New York (N.Y.) -- Social life and customs -- 20th century -- Fiction
Janet’s appearance in her Spanish robes with the genuine Castilian
mantilla, the high tortoise shell comb, and the silk Andalusian shawl
flaming brilliantly against her dark hair, was one of the sensations of
the evening. Robert’s somber monk’s cowl at her side subtracted nothing
from this sensation. He conducted her through the mazes of the upper
dancing floor and then brought her back to the gorgeous gypsy tent that
had been set up on the floor below.
There she began to play the gypsy fortune teller with as much subtlety
as the professional exertions of the musical Roughnecks permitted.
Robert stood near the tent as a sort of self-constituted watchman and
bodyguard extraordinary. As John Barleycorn was being liberally
dispensed in the refreshment room, a number of tipsy masqueraders soon
turned up, and some of these roistered into Janet’s tent despite
Robert’s efforts to fend them off.
Hutchins Burley was among those who presently appeared on the scene. It
was after Mazie Ross had repeatedly toyed with his erotic instincts and
incited his hot pursuit only to defeat him at a point just short of
possession. In a fury of frustration, he had descended to the first
floor to inflame his passions further at the public bar. Thus
inspirited, he propelled his Falstaffian proportions into the gypsy tent
and requested Janet to read his palm.
His breath alone would have decided Janet to refuse. But when he
interrupted her first sentence by tearing off her mask and importuning a
closer acquaintance with the face behind it, she pushed abruptly past
him and, running outside the tent, waited for him to leave it.
With surprising alacrity Hutchins Burley bundled after her.
"You’re a lively little kipper," he shouted, filled with liquor and
desire. And he wildly reached out one arm to clasp her around the
waist. But Janet, uttering a low cry, dodged and slipped past him,
while Burley’s flopping arms were caught firmly by two men who had
sprung forward for this purpose.
One of these was Robert. The other was a tall, unobtrusive man who had
quietly but deftly detached himself from the throng.
The attention of several people had been arrested by Janet’s cry and
flight, and these now pressed forward to learn what the trouble was. A
confusion of queries, blusterings and exclamations followed, during
which the Roughnecks struck up the "Nobody Home" rag.
Hutchins Burley had recovered some of his wits under the compulsion of
several menacing faces around him. Seeing him become tractable, Robert
contemptuously flung off the arm he held and walked away towards Janet.
Burley followed his receding steps with a malevolent glare, and then
turned savagely on the tall quiet stranger who was still holding his
other arm in a grip of steel.
"Leggo my arm," he bellowed.
"A word in your ear, Mr. Burley," said the quiet one, relaxing his grip.
"Plain clothes men are in the crowd. If you kick up a shindy, you’ll be
giving them what they’re looking for."
Public-domain text, read in full here on John Shaqi.
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