The love of an uncrowned queen : $b Sophie Dorothea, consort of George I, and her correspondence with Philip Christopher, Count KönigsmarckWilkins, W. H. (William Henry)
History
The love of an uncrowned queen : $b Sophie Dorothea, consort of George I, and her correspondence with Philip Christopher, Count Königsmarck
Wilkins, W. H. (William Henry)
Königsmarck, Christopher von, 1665-1694; Sophia Dorothea, consort of George I, King of Great Britain, 1666-1726
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Footnote 85:
Colt’s _Despatch_, Hanover, January 5, 1692.
Footnote 86:
_Ibid._, January 8, 1692.
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By this time Prince Max had been sent away as a prisoner to the castle
of Hamelin, and after a good deal of blustering had promised to submit
to paternal authority under certain conditions. Further inquiries
revealed that the plot was an old one and had many branches. Duke Antony
Ulrich had been the moving power, and both the dead princes, Augustus
and Charles, were inculpated. The feeling at the Hanoverian court ran
strongly against Duke Antony Ulrich, and even the Duchess Sophia found
herself exposed to resentment, though nothing could be proved against
her, poor lady, beyond that, having a mother’s heart, she had helped her
unruly sons now and then out of her slender pin money (not that she had
much to give—Countess Platen saw to that) when their father had cast
them out with the proverbial shilling. It must have been a sore time for
the proud, high-spirited Duchess. To add a drop more of bitterness to
her cup, the Duchess of Celle was now at Hanover, a witness of the
humiliation of her rival, and herself flattered and courted. It may be
doubted if Eléonore had sufficient magnanimity not to vaunt her triumph;
yet she would have done well to be humble in the days of her prosperity,
for even at this, its apogee, there was a far more dangerous intrigue
than any Prince Max was involved in, secretly but surely undermining her
future happiness, and threatening to bring disaster on her cherished
schemes, and ruin and dishonour on all most dear to her.
But whatever misery and wretchedness lay behind the scenes, externally
the court of Hanover was as gay and brilliant as ever. The New Year
opened as usual with the carnival, an Italian opera, and a series of
festivities, in which all took part, from the court down to the common
people. The taverns were thronged with mummers and masqueraders, the
streets of the old town were bright with booths and bunting, and a large
concourse of merrymakers flocked to Hanover from the surrounding towns
and villages. The nobility came from their country estates, and many of
the neighbouring princes and princesses came for the carnival too. In
all these festivities Sophie Dorothea was the central figure. Every one
paid court to the beautiful young Princess of Hanover, who, high in the
favour of her parents and the Duke of Hanover, triumphed for the moment
over her enemies and seemed to gather up in herself and her children all
the brilliant hopes of the House of Brunswick-Lüneburg.
Public-domain text, read in full here on John Shaqi.
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