The love of an uncrowned queen : $b Sophie Dorothea, consort of George I, and her correspondence with Philip Christopher, Count KönigsmarckWilkins, W. H. (William Henry)
History
The love of an uncrowned queen : $b Sophie Dorothea, consort of George I, and her correspondence with Philip Christopher, Count Königsmarck
Wilkins, W. H. (William Henry)
Königsmarck, Christopher von, 1665-1694; Sophia Dorothea, consort of George I, King of Great Britain, 1666-1726
The Duke of Celle thought his wife worthy of any pecuniary sacrifice at
this time. Her conduct was so irreproachable as a wife and a mother that
she won the esteem even of those who were prejudiced against her. Grave,
dignified, and beautiful, she held her husband’s truant affections much
longer than any one would have supposed, and was careful by her conduct
to make good the position to which she had been raised. Her bitterest
enemies were unable to tarnish her fair name, and this is no mean
tribute to her virtue and prudence when we remember the age in which she
lived and the circumstances surrounding her. Under Eléonore’s rule the
court of Celle became a model of decorum. The jovial Duke, though
wealthy and hospitable, hated display and ostentation, and loved nothing
so much as a quiet life. His tastes were those of an English country
squire. He was a fine judge of wine, and had many rare vintages in his
cellar; he had three hundred and seventy horses in his stables, mostly
English or bred in England; his kennels, too, were largely filled with
dogs of English breed. He was a mighty Nimrod, devoted to out-door
sports. A little business with his Ministers and a good deal of
hunting—that was his programme for the day, and in the evening he loved
nothing better than to share the joys of the domestic hearth with his
wife and child. Eléonore, unlike most ladies who have risen in the
world, seemed equally averse to display for its own sake, and shunned
rather than courted the trappings of state. So the court of Celle was
peaceful and virtuous, perhaps a little dull.
It was far different at the court of Hanover.
The death of Duke John Frederick without issue in 1679 had now brought
Ernest Augustus and Sophia to reign over Hanover as well as Osnabrück.
Duke John Frederick was not greatly mourned, and his reign, though
merry, had been brief. Like his brothers, he was fond of Italy, and
acquired there a love of foreign ways and a liking for the Roman
Catholic religion, to which he became a convert. Louis XIV., who
regarded himself as a defender of the faith, gave this ducal convert a
handsome pension, and treated him with marked favour. John Frederick’s
eyes were dazzled by the glory of the Grand Monarque, whose splendour
was the wonder of Europe, and he tried to turn Hanover into an imitation
Versailles: pseudo-classical statues were erected in the gardens;
fountains were dotted about the terraces; there were fireworks,
masquerades, and pastoral plays, Italian singers and French dancers;
many foreign _monsignori_ flitted about the court, and mass was again
sung in the churches. The honest Hanoverians rubbed their eyes and knew
not what to make of it all. But alien though their Duke was in some
things, he had one taste in common with his long-suffering subjects—he
loved his beer, and, after a prolonged course of hard drinking, he died
from an overspell of it. As the Duchess Sophia wrote, “He died as a true
German should, glass in hand”.
Public-domain text, read in full here on John Shaqi.
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