The love of an uncrowned queen : $b Sophie Dorothea, consort of George I, and her correspondence with Philip Christopher, Count KönigsmarckWilkins, W. H. (William Henry)
History
The love of an uncrowned queen : $b Sophie Dorothea, consort of George I, and her correspondence with Philip Christopher, Count Königsmarck
Wilkins, W. H. (William Henry)
Königsmarck, Christopher von, 1665-1694; Sophia Dorothea, consort of George I, King of Great Britain, 1666-1726
Clara Elizabeth and Catherine Marie were of noble birth. Their father,
Count Carl Philip Meisenbug, was a needy military adventurer, and their
faces were their only fortune. Their good looks, combined with much
impudence, a lively wit, and an utter absence of principle, sufficed to
form a very attractive pair in those days. When they were only in their
teens Count Meisenbug took his daughters to Paris with the hope of
seeing them shine at the court of Louis XIV., a sort of Mecca to which
all these worldly pilgrims were then bound. But the established royal
favourites there did not view the fair intruders with favour, and gave
them a hint that it would be better to decamp, or Paris would soon be
too hot to hold them. The Meisenbugs, who were poor and therefore
powerless, needed no second warning. Fear lent them wings; they packed
up with all despatch, and, looking about for a likely spot to push their
fortunes, they hit upon the little court of Ernest Augustus, and set out
thither with all speed.
The court was then at Osnabrück, and it so chanced that the
_demoiselles_ Meisenbug arrived just when the two eldest sons of Ernest
Augustus, George Louis and Frederick Augustus, had returned from their
travels, accompanied by their governors Platen and Bussche. The needy
Count lost no time in presenting his daughters at court, and evidently
they created a favourable impression, for we find them helping at a
_fête_ in honour of the young Princes’ return. The _demoiselles_
Meisenbug, who were fresh from all the graces and amusements of
Versailles, composed a little pastoral play in French, which they craved
permission to perform before the Duke and Duchess, and the performance
was the most successful feature of the festival. It was given at night
in the gardens, which were illuminated for the occasion. The young
ladies appeared, as befitted their pastoral simplicity, in the guise of
shepherdesses, and recited their lines so prettily, and danced and sang
in so charming a way that they delighted their audience and especially
won the hearts of the governors Platen and Bussche. Having made so
favourable an impression, the sisters remained at Osnabrück to follow up
their advantage. It suited them well. It was a cheap town to live in;
they had the _entrée_ of the court, and the free-and-easy air of the
place gave them room to develop their schemes. At that time the young
adventuresses had to moderate their ambitions. Ernest Augustus was far
above them, and Prince George Louis was only a boy, and was sent away
directly on military service. But meantime the Meisenbugs made the best
of their opportunities. Platen and Bussche were both rising men, and
enjoyed the confidence of the court. Failing higher game, the sisters
resolved on making a conquest of them, and they unmasked their batteries
with such success that before long they were comfortably settled in
life, Clara Elizabeth as the wife of Platen, and Catherine Marie as the
wife of Bussche.
Public-domain text, read in full here on John Shaqi.
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