Adventure stories; French -- England -- Fiction; Great Britain -- History -- Charles II, 1660-1685 -- Fiction; Love stories
“Monsieur le Capitaine Ferraire, René d’Añasco has been found. The
son of Eloise de Bresac has come to life and is to-day in London. He
knows of the sale of his birthright. He has discovered the proofs of
his mother’s marriage and of his birth at Amiens. He but awaits a
favorable opportunity to bring the matter before a court.” By this time
Captain Ferrers had recovered a certain poise. He swaggered over to the
mantel, where he turned to Mistress Clerke.
“A fine tale!” he sneered. “A pretty heir, Mistress Barbara, to send
a hunted man as his ambassador.” Then the presence of Cornbury at the
dying confession came to his memory, and the situation dawned upon him
for the first time. He laughed aloud with real blatant merriment.
“I see!” he cried. “It is you--_you_, Mornay, the outcast--Mornay, the
broken gambler, the man without a creed or country, who is now become
the Vicomte de Bresac. It is a necromancy worthy of Dr. Bendo.”
He was firm upon his feet again. The very absurdity of the claim had
restored his heavy balance--somewhat disturbed by the announcement of
his possession of the papers. He turned to Mistress Clerke and found
her eyes, full of wonder and inquiry, still turned upon him. She was
sensible of an influence which the Frenchman’s words had wrought,
and felt rather than saw the surprise and alarm which underlay the
somewhat blustery demeanor of Captain Ferrers. During the dénouement
not a word had passed her lips. When she had tried to speak it seemed
as though she had been deprived of the power. She had sat looking from
the one to the other, fear and doubt alternating in her mind as to the
intentions of the Frenchman. What did it all mean? Captain Ferrers,
at the best of times, was not a man who could conceal his feelings;
but why had he lost countenance so at the mention of papers? Why had
he not done something at the first that would prove the Frenchman the
cheat and impostor that he was? Why did the irony of his words fall
so lightly upon the ears of Monsieur Mornay that he seemed not even
to hear them? Why were the Frenchman’s eyes so serious, so steady, so
clear to return her gaze? With an effort she slowly arose, struggling
against she knew not what--something which seemed to oppress her and
threaten the freedom of her speech and will. A feeling that she had
allowed herself, if even only for a moment, to be influenced against
her better judgment, filled her with resentment against this man who
had broken past her barriers again and again, and now offended not only
the laws of society but the laws of decency by brutally pushing past
her servants and holding her against her will a prisoner in her own
apartments. As she stood upon her feet she regained her composure, and
when she spoke her voice rang with a fearlessness that surprised even
herself. It was the exuberance and immoderation of fear--the sending of
the pendulum to the other end of its swing.
Public-domain text, read in full here on John Shaqi.
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