"Nice frock," decided Mollie Fullerford, surveying Aliette's black lace
and silver tissue. Her voice resembled Aliette's; but there resemblance
ended. The girl stood half a head taller than the woman. She had violet
eyes, a broadish brow, and dark, almost black hair, bobbed during
convalescence. Her coloring was white in comparison with Aliette's
cream; but two patches of natural bloom glowed in her cheeks. She wore a
panniered dress of blue and mauve shot taffeta, wide over the hips,
tight round the ankles, short-sleeved, neck cut high to conceal one of
her wound-scars. Her arms, hands, and feet, well-shaped as her sister's,
looked more powerful. Altogether rather a hefty, healthy, happy young
creature--the sort of creature a decent hefty young man would single out
at a dance.
"No nicer than yours," retorted Aliette, slipping her rings on her
fingers, and adjusting the short single string of pearls round her
throat.
A knuckle rapped the door-panels; a loudish voice asked: "May I come in,
dear?"
"Yes. I'm just ready."
Hector entered--a big, over-big man, the glazed shirt-front already
bulging out of his black waistcoat. The K.C., shorn of legal wig and
trappings, did not look very dignified; nevertheless, he gave an
impression of force. The sandy hair was scant on his wide mottled
forehead; his eyes were a cold gray; his nose tended to the bulbous. The
clean-shaven lips appeared thin and a trifle cruel; his jowl was
heavy--almost the jowl of a mastiff. He had the hands of a gentleman,
the feet of a clodhopper.
"Is it time for dinner?" asked the wife. The husband drew from his
waistcoat pocket a heavy gold watch; consulted the hands of it; and
admitted the accuracy of her suggestion.
"Then we'd better be going down," decided Aliette.
2
The dining-room at Moor Park possesses, or is possessed by, the largest
suite of mid-Victorian mahogany ever fashioned. The sideboard, gleaming
always with massive silver, occupies the entire east end of the
apartment, barely leaving room for a white-paneled Adams door. Either
side of the marble mantelpiece stand two colossal serving-tables.
Gigantic horsehair-seated armchairs, ranged between the long
red-curtained windows, spill a brood of slightly less gigantic offspring
round the mastodontic board.
The mulligatawny and the cod with oyster-sauce had already been served
by the two cap-and-aproned wenches, whom the rear-admiral declared to be
"a damned sight better than any heavy-handed son of a gun who smoked a
fellow's cigars, drank his port, and did as little work as the old
bumboat-woman of Portsmouth."
Public-domain text, read in full here on John Shaqi.
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