The Lovels of ArdenBraddon, M. E. (Mary Elizabeth)
General
The Lovels of Arden
Braddon, M. E. (Mary Elizabeth)
England -- Social life and customs -- Fiction; Man-woman relationships -- Fiction
AT seven o'clock Mr. Lovel composed himself for his after-dinner nap, and
Clarissa, being free to dispose of herself as she pleased till about nine,
at which hour the tea-tray was wont to be brought into the parlour, put on
her hat and went out into the village. It would be daylight till nearly
eight, and moonlight after that; for the moon rose early, as Miss Lovel
remembered. She had a fancy to look at the familiar old plane again--the
quiet village street, with its three or four primitive shops, and single
inn lying back a little from the road, and with a flock of pigeons and
other feathered creatures always on the patch of grass before it; the low
white-walled cottages, in which there were only friendly faces for her.
That suggestion of a foreign home had made her native village newly dear to
her.
She had not held much intercourse with these Arden people since her coming
home. The sense of her inability to help them in any substantial way had
kept her aloof from them. She had not the gift of preaching, or of laying
down the laws of domestic economy, whereby she might have made counsel
and admonition serve instead of gold or silver. Being able to give them
nothing, she felt herself better out of the way; but there were two
or three households upon which she had contrived to bestow some small
benefits--a little packet of grocery bought with her scanty pocket-money,
a jar of good soup that she had coaxed good-natured Martha to make, and so
on--and in which her visits had been very welcome.
All was very quiet this evening. Clarissa went through the village without
meeting any one she knew. The gate of the churchyard stood open, and Arden
churchyard was a favourite spot with Clarissa. A solemn old place, shadowed
by funereal yews and spreading cedars, which must have been trees of some
importance before the Hanoverian succession. There was a narrow footpath
between two rows of tall quaint old tombstones, with skulls and crossbones
out upon the moss-grown stone; a path leading to another gate which opened
upon a wide patch of heath skirted by a scanty firwood.
This was the wildest bit of landscape about Arden, and Clarissa loved it
with all an artist's love. She had sketched that belt of fir-trees under
almost every condition--with the evening sun behind them, standing blackly
out against the warm crimson light; or later, when the day had left no more
than a faint opal glimmer in the western sky; later still, in the fair
summer moonlight, or en a blusterous autumn afternoon, tossed by the
pitiless wind. There was a poetry in the scene that seemed to inspire her
pencil, and yet she could never quite satisfy herself. In short, she
was not Turner; and that wood and sky needed the pencil of a Turner to
translate them fully. This evening she had brought her pocket sketch-book
with her. It was the companion of all her lonely walks.
Public-domain text, read in full here on John Shaqi.
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