The Lovels of ArdenBraddon, M. E. (Mary Elizabeth)
General
The Lovels of Arden
Braddon, M. E. (Mary Elizabeth)
England -- Social life and customs -- Fiction; Man-woman relationships -- Fiction
She sat down upon the low boundary-wall of the churchyard, close by the
rustic wooden gate through which she had come, facing the heath and the
firwood, and took out her sketch-book. There was always something new;
inexhaustible Nature had ever some fresh lesson for her. But this evening
she sat idle for a long time, with her pencil in her hand; and when at last
she began to draw, it was no feature of heathy ridge or dark firwood, but a
man's face, that appeared upon the page.
It was a face that she had drawn very often lately in her idle moods, half
unconsciously sometimes--a bold handsome face, that offered none of those
difficulties by which some countenances baffle the skill of a painter. It
was the face of a man of whom she had told herself it was a sin even to
think; but the face haunted her somehow, and it seemed as if her pencil
reproduced it in spite of herself.
She was thinking as she drew near of Lady Geraldine's postponed wedding. It
would have been better that the marriage should have taken place; better
that the story should have ended to-day and that the frail link between
herself and George Fairfax should have been broken. That accident of Lord
Calderwood's death had made everything more or less uncertain. Would the
marriage ever take place? Would George Fairfax, with ample leisure for
deliberation, hold himself bound by his promise, and marry a woman to whom
he had confessed himself indifferent?
She was brooding over this question when she heard the thud of a horse's
hoofs upon the grass, and, looking up, saw a man riding towards her. He was
leaning across his horse's head, looking down at her in the next moment--a
dark figure shutting out the waving line of fir-trees and the warm light in
the western sky. "What are you doing there, Miss Lovel?" asked a voice that
went straight to her heart. Who shall say that it was deeper or sweeter
than, common voices? but for her it had a thrilling sound.
She started and dropped her book. George Fairfax dismounted, tied
his horse's bridle to the churchyard gate, and picked up the little
sketch-book.
"My portrait!" he cried, recognizing the carelessly-pencilled bead. "Then
you do think of me a little, Clarissa! Do you know that I have been
prowling about Arden for the last two hours, waiting and watching for you?
I have ridden past your father's cottage twenty times, I think, and was on
the point of giving up all hope and galloping back to Hale, when I caught
sight of a familiar figure from that road yonder."
He had taken a knife from his pocket, and was deliberately cutting out the
leaf from Miss Lovel's sketch-book.
"I shall keep this, Clarissa,--this one blessed scrap of evidence that you
do sometimes think of me."
"I think of a good many people in the same manner," she said, smiling, with
recovered self-possession. "I have very few acquaintance whose likenesses I
have not attempted in some fashion."
Public-domain text, read in full here on John Shaqi.
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