The Lovels of ArdenBraddon, M. E. (Mary Elizabeth)
General
The Lovels of Arden
Braddon, M. E. (Mary Elizabeth)
England -- Social life and customs -- Fiction; Man-woman relationships -- Fiction
And then she kissed him affectionately, emboldened by that softer manner
which he had shown towards her lately; and the carriage drove off. A
beautiful drive past fertile fields, far stretching towards that bright
river, which wound its sinuous way through all this part of the country;
past woods that shut in both sides of the road with a solemn gloom even at
midday--woods athwart which one caught here and there a distant glimpse of
some noble old mansion lying remote within the green girdle of a park.
It was something less than an hour's drive from Arden to Hale: the
village-church clock and a great clock in the Castle stables were both
striking twelve as the carriage drove under a massive stone arch, above
which the portcullis still hung grimly. It was something like going into
a prison, Clarissa thought; but she had scarcely time for the reflection,
when the carriage swept round a curve in the smooth gravel road, and she
saw the sunny western front of the Castle, glorious in all its brightness
of summer flowers, and with a tall fountain leaping and sparkling up
towards the blue sky.
She gave a little cry of rapture at sight of so much brightness and beauty,
coming upon her all at once with a glad surprise. There were no human
creatures visible; only the glory of fountain and flowers. It might have
been the palace of the Sleeping Beauty, deep in the heart of the woodlands,
for any evidence to the contrary, perceptible to Clarissa in this drowsy
noontide; but presently, as the carriage drove up to the hall door, a
dog barked, and then a sumptuous lackey appeared, and anon another, who,
between them, took Miss Lovel's travelling-bag and parasol, prior to
escorting her to some apartment, leaving the heavier luggage to meaner
hands.
"The saloon, or my lady's own room, miss?" one of the grandiose creatures
demanded languidly.
"I would rather see Lady Laura alone at first, if you please."
The man bowed, and conducted her up a broad staircase, lined with darksome
pictures of battles by land and sea, along a crimson-carpeted corridor
where there were many doors, to one particular portal at the southern end.
He opened this with a lofty air, and announced "Miss Lovel."
It was a very large room--all the rooms in this newly-restored part of the
Castle were large and lofty (a great deal of the so-called "restoration"
had indeed been building, and many of these splendid rooms were new, newer
even than the wealth of Frederick Armstrong)--a large room, furnished with
chairs and tables and cabinets of satin wood, with oval medallions of pale
blue Wedgwood let into the panelled doors of the cabinets, and a narrow
beading of lustreless gold here and there; a room with pale blue
silken hangings, and a carpet of white wood-anemones scattered on a
turquoise-coloured ground. There were no pictures; art was represented only
by a few choice bronzes and a pair of Venetian mirrors.
Public-domain text, read in full here on John Shaqi.
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