Produced by Hillie Plantinga and the Online Distributed
Proofreading Team at https://www.pgdp.net (This file was
produced from images generously made available by The
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Transcriber's notes:
Four typographical errors have been corrected:
Page 88, "seemes" changed to "seems" (it seems such a wasteful way
to live somehow,)
Page 162, "Ellen" changed to "Ellen," ("I'm very glad you feel that way
about it, Ellen,")
Page 199, "accomodating" changed to "accommodating" (He felt his mind
accommodating to)
Page 252, "Weatherall" changed to "Weatheral" (Mr. Weatheral had some
papers)
THE LOVELY LADY
_By the same author_
A WOMAN OF GENIUS
THE ARROW MAKER
THE GREEN BOUGH
CHRIST IN ITALY
[Illustration: _"It was one thin web of rose and gold over lakes of
burnished light...."_]
THE LOVELY LADY
BY MARY AUSTIN
[Illustration: ]
_Frontispiece by Gordon Grant_
GARDEN CITY NEW YORK
DOUBLEDAY, PAGE & COMPANY
1913
_Copyright, 1913, by_
DOUBLEDAY, PAGE & COMPANY
_All rights reserved, including that of
translation into Foreign Languages,
including the Scandinavian._
To
J. AND E.
THE COMPANIONS OF THE GONDOLA
CONTENTS
PAGE
PART ONE
In which Peter meets a Dragon, and the Lovely
Lady makes her appearance. 3
PART TWO
In which Peter becomes invisible on the way to
growing rich. 37
PART THREE
In which Peter becomes a bachelor. 59
PART FOUR
In which the Lovely Lady makes a final appearance. 107
ILLUSTRATIONS
"It was one thin web of rose and gold over lakes of
burnished light...."
PART ONE
IN WHICH PETER
MEETS A DRAGON, AND
THE LOVELY LADY
MAKES HER APPEARANCE
PART ONE
IN WHICH PETER MEETS A DRAGON, AND THE
LOVELY LADY MAKES HER APPEARANCE
I
The walls of the Wonderful House rose up straight and shining, pale
greenish gold as the slant sunlight on the orchard grass under the apple
trees; the windows that sprang arching to the summer blueness let in the
scent of the cluster rose at the turn of the fence, beginning to rise
above the dusty smell of the country roads, and the evening clamour of
the birds in Bloombury wood. As it dimmed and withdrew, the shining of
the walls came out more clearly. Peter saw then that they were all of
coloured pictures wrought flat upon the gold, and as the glow of it
increased they began to swell and stir like a wood waking. They leaned
out from the walls, looking all one way toward the increasing light and
tap-tap of the Princess' feet along the halls.
"Peter, oh, Peter!"
The tap-tapping grew sharp and nearer like the sound of a crutch on a
wooden veranda, and the voice was Ellen's.
Public-domain text, read in full here on John Shaqi.
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