"Oh, _excuse_ me!" She turned her head aside for a moment in her long
gloves. "You _are_ country!" she said again, but it seemed not to
displease her. "I don't care so much for her voice, do you?" She turned
on the singer. They discussed the entertainment and the dinner. They
were a long time about it. The orchestra played a waltz at last, and
Ethel--she had told him to call her that--put her arms on the table and
leaned across to him, and though Peter knew by this time that her cheeks
were painted, he didn't somehow mind it.
"What's it like up in the country where you lived?" she wished to know.
"Hills mostly, little wooded ones, and high pastures, and the apple
orchards going right up over them...."
"I know," she nodded. "I guess it's them I been smelling ... or
laylocks."
"Things coming up in the garden," Peter contributed: "peonies, and long
rows of daffodils...." He did not realize it, but he had described to
her no place that he had known but the way to the House. The girl cut
him off.
"Don't!" she said sharply. "You know," she half apologized, "you kind of
remind me of somebody ... a boy I knew up country. It was him that got
me here----" She made her little admission quietly, the horror of it
long worn down to daily habit. "That first time I saw you, it seemed
almost as if it was him ... I ain't never blamed him--much. He didn't
mean to be bad, but when the trouble came he couldn't help none.... I
guess real help is about the hardest thing to find there is."
"I guess it is."
"Oh, well, we gotta make the best of it." She glanced at Peter with her
head on one side as she twiddled her fingers across the cloth to the
tune of the orchestra.
They went out at last and walked in the least frequented streets, and
Peter held her hand; the warmth of it ran with a pleasant tingling in
his veins. He seemed to have touched in her palm the point at which the
city came alive to him. They walked and walked and yet it seemed that
something lacked to bring the evening to a finish; it was incredible to
Peter that after all his loneliness he should have to let her go.
"We could go up to my place," Ethel suggested. "It's up here." He hadn't
suspected that she had been guiding him.
"I guess not to-night." Peter's blood was singing in his ears. In the
dark of the unfrequented street he could feel her young body leaning
toward his.
"Say, you know I ain't after the money the way some girls are; I like
you ... honest----"
"I guess I'd better go home." But they went on up the side street a
little farther. "Good-bye," he said, but he did not let her go.
She shook her hand free at last.
"Oh, well, of course, if you don't want to...." He felt her soft hands
fumbling at his face; she drew him down to a kiss. Suddenly she sprang
away, laughing. "Go, you silly!"
Public-domain text, read in full here on John Shaqi.
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