"But you must grant," said Peter, with an odd sense of defending his own
position, "that when one got done with a fight like that, one would be
entitled to something particular."
"Oh, if it came as a reward," she laughed. "But nowadays we've reversed
the process. One makes sure of the Princess first, lest when the dragon
is killed she should prove to have gone away with one of the
bystanders."
Something that clicked in Peter's mind led him to look sharply from one
to the other of the two women. In Bloombury they had a way, he knew, of
not missing any point of their neighbours' affairs, but their faces
expressed no trace of an appreciation of anything in the subject being
applicable to his. The flick of memory passed and left him wondering why
it should be.
He caught himself looking covertly at the girl as the gondola swung into
open water, to discover in her the springs of an experience such as lay
at the source of his own desolation. He perceived instead under her
slight appearance a certain warmth and colour like a light behind a
breathed-on window-pane. Illness, overwork, whatever dragon's breath had
dimmed her surfaces, she gave the impression of being inwardly
inexhaustibly alight and alive. Something in her leaped to the day, to
the steady pacing of the gondola on the smooth water tessellated by the
sun in blue and bronze and amber, to the arched and airy palaces that
rose above it.
The awning was up; there was strong sun and pleasant wind: from hidden
gardens they smelled the oleanders. Peter felt the faint stir of
rehabilitation like the breath of passing presences.
The mood augmented in him as he drifted late that evening on the lagoon
beyond the Guidecca, after the sun was gone down and the sea and the sky
reflected each to each, one roseate glow like a hollow shell of pearl.
Lit peaks of the Alps ranged in the upper heaven, and nearer the great
dome of the Saluti signalled whitely; below them, all the islands near
and far floated in twilit blueness on the flat lagoon. There was by
times, a long sea swell, and no sound but the tread of the oar behind
like a woman's silken motion. It drew with it films of recollection in
which his mood suspended like gossamer, a mood capable of going on
independently of his idea of himself as a man cut off from those
experiences, intimations of which pressed upon him everywhere by line
and form and colour.
Public-domain text, read in full here on John Shaqi.
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