The Loves of Krishna in Indian Painting and PoetryArcher, W. G. (William George)
Religion
The Loves of Krishna in Indian Painting and Poetry
Archer, W. G. (William George)
Hindu gods in art; Hindu painting -- India; Krishna (Hindu deity); Sanskrit poetry -- History and criticism
Another day, Yasoda asks the married cowgirls to assist her in churning
milk. They clean the house, set up a large vessel, prepare the churning
staff and string, and start to churn. Krishna is awakened by the noise and
finding no one about comes crying to Yasoda. 'I am hungry, mother,' he
says. 'Why have you not given me anything to eat?' And in a fit of
petulance he starts to throw the butter about and kick over the pitchers.
Yasoda tells him not to be so naughty, sits him on her lap and gives him
some milk. While she is doing this, a cowgirl tells her that the milk has
boiled over and Yasoda jumps up leaving Krishna alone. While she is away
he breaks the pots, scatters the curds, makes a mess of all the rooms and,
taking a pot full of butter, runs away with it into the fields. There he
seats himself on an upturned mortar, assembles the other boys and vastly
pleased with himself, laughingly shares the butter out. When Yasoda
returns and sees the mess, she seizes a stick and goes to look for
Krishna. She cannot find it in her heart, however, to be angry for long
and when Krishna says, 'Mother, let me go. I did not do it,' she laughs
and throws the stick away. Then pretending to be still very angry, she
takes him home and ties him to a mortar. A little later a great crash is
heard. Two huge trees have fallen and when the cowherds hurry to the spot,
they find that Krishna has dragged the mortar between the trunks, pulled
them down and is quietly sitting between them.[17] Two youths--by name Nala
and Kuvara--have been imprisoned in the trees and Krishna's action has
released them. When she sees that Krishna is safe, Yasoda unties him from
the mortar and hugs him to her.
This incident of the trees now forces Nanda to make a decision. The
various happenings have been profoundly unnerving and he feels that it is
no longer safe to stay in Gokula. He decides therefore to move a day's
march farther on, to cross the river and settle in the forests of
Brindaban. The cowherds accordingly load up their possessions on carts and
the move ensues.[18]
Public-domain text, read in full here on John Shaqi.
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