The Loves of Krishna in Indian Painting and PoetryArcher, W. G. (William George)
Religion
The Loves of Krishna in Indian Painting and Poetry
Archer, W. G. (William George)
Hindu gods in art; Hindu painting -- India; Krishna (Hindu deity); Sanskrit poetry -- History and criticism
All these events bring to a head the problem which has been exercising
the cowherds for long--who and what is Krishna? Obviously no simple boy
could lift the mountain on his finger. He must clearly be someone much
greater and they conclude that Krishna can only be Vishnu himself. They
accordingly beseech him to show them the paradise of Vishnu. Krishna
agrees, creates a paradise and shows it to them. The cowherds see it and
praise his name. Yet it is part of the story that these flashes of insight
should be evanescent--that having realized one instant that Krishna is
God, the cowherds should regard him the next instant as one of themselves.
Having revealed his true nature, therefore, Krishna becomes a cowherd once
again and is accepted by the cowherds as being only that.
One further incident must be recorded. In compliance with a vow, Nanda
assembles the cowherds and cowgirls and goes to the shrine of Devi, the
Earth Mother, to celebrate Krishna's twelfth birthday. There they make
lavish offerings of milk, curds and butter and thank the goddess for
protecting Krishna for so long. Night comes on and they camp near the
shrine. As Nanda is sleeping, a huge python begins to swallow his foot.[27]
Nanda calls to Krishna, who hastens to his rescue. Logs are taken from
a fire, but as soon as the snake is touched by Krishna, a handsome young
man emerges and stands before him with folded hands. He explains that he
was once the celestial dancer, Sudarsana who in excess of pride drove his
chariot backwards and forwards a hundred times over the place where a
holy man was meditating. As a consequence he was cursed and told to
become a python until Krishna came and released him. To attract Krishna's
attention he has seized the foot of Nanda. Krishna bids him go and,
ascending his chariot, Sudarsana returns to the gods.
Public-domain text, read in full here on John Shaqi.
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