The Loves of Krishna in Indian Painting and Poetry — John Shaqi
The Loves of Krishna in Indian Painting and PoetryArcher, W. G. (William George)
Religion
The Loves of Krishna in Indian Painting and Poetry
Archer, W. G. (William George)
Hindu gods in art; Hindu painting -- India; Krishna (Hindu deity); Sanskrit poetry -- History and criticism
As the cowgirls' ecstasies proceed, Krishna feels that they are fast
exceeding themselves. They think that he is in their power and are already
swelling with pride. He decides therefore to leave them suddenly, and
taking a single girl with him vanishes from the dance.[28] When they find
him gone, the cowgirls are at a loss to know what to do. 'Only a moment
ago,' one of them says, 'Krishna's arms were about my neck, and now he has
gone.' They begin to comb the forest, anxiously asking the trees, birds
and animals, for news. As they go, they recall Krishna's many winning
ways, his sweetnesses of character, his heart-provoking charms and begin
to mimic his acts--the slaying of Putana, the quelling of Kaliya, the
lifting of the hill Govardhana. One girl imitates Krishna dancing and
another Krishna playing. In all these ways they strive to evoke his
passionately-desired presence. At length they discover Krishna's
footprints and a little farther on those of a woman beside them. They
follow the trail which leads them to a bed of leaves and on the leaves
they find a looking-glass. 'What was Krishna doing with this?' they ask.
'He must have taken it with him,' a cowgirl answers, 'so that while he
braided his darling's hair, she could still perceive his lovely form.' And
burning with love, they continue looking.
While they are searching, the particular cowgirl who has gone with Krishna
is tempted to take liberties. Thinking Krishna is her slave, she complains
of feeling tired and asks him to carry her on his shoulders. Krishna
smiles, sits down and asks her to mount. But as she puts out her hands, he
vanishes and she remains standing with hands outstretched.[29] Tears stream
from her eyes. She is filled with bitter grief and cries 'O Krishna! best
of lovers, where have you gone? Take pity.'
As she is bemoaning her fate, her companions arrive.[30] They put their
arms around her, comfort her as best they can, and then, taking her with
them, continue through the moonlight their vain and anguished search.
Krishna still evades them and they return to the terrace where the night's
dancing had begun. There they once again implore Krishna to have pity,
declaring that there is none like him in charm, that he is endlessly
fascinating and that in all of them he has aroused extremities of
passionate love. But the night is empty, their cries go unanswered, and
moaning for the Krishna they adore, they toss and writhe on the ground.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account