The Loves of Krishna in Indian Painting and Poetry — John Shaqi
The Loves of Krishna in Indian Painting and PoetryArcher, W. G. (William George)
Religion
The Loves of Krishna in Indian Painting and Poetry
Archer, W. G. (William George)
Hindu gods in art; Hindu painting -- India; Krishna (Hindu deity); Sanskrit poetry -- History and criticism
The news of his sudden departure devastates the cowgirls. Since the
circular dance in which their love was consummated, they have been meeting
Krishna every evening and delighting in his company. And during the
daytime their passionate longings have centred solely on him. That he
should leave them so abruptly causes them complete dismay and they are
only comforted when Krishna assures them that he will return after a few
days.
On the way to Mathura Akrura bathes in the Jumna and is granted a vision
of Krishna as Vishnu himself.
Reaching Mathura, Nanda and the cowherds pitch their tents outside the
city walls[32] while Krishna with Balarama and the cowherd children go
inside the city for a walk. As they wander through the streets, the news
of their arrival precedes them and women, excited by Krishna's name,
throng the rooftops, balconies and windows. 'Some ran off in the middle of
their dinner: others while bathing and others while engaged in plaiting
their hair. They forgot all dalliance with their husbands and went to look
at Krishna.' As Krishna proceeds, he meets some of Kansa's washermen
carrying with them bundles of clothes. He asks them to give him some and
when they refuse, he attacks one of them and strikes off his head. The
others drop their bundles and run for their lives. The cowherd children
try to dress themselves up but not knowing how to wear the clothes, some
of them put their arms into trousers and their legs into coats. Krishna
laughs at their mistakes until a tailor, a servant of Kansa, repudiates
his master, glorifies Krishna and sets the clothes right. A little later,
a gardener takes them to his house and places garlands round their necks.
As they are leaving, they meet a young woman, a hunchback, carrying a pot
of scented ointment. Krishna cannot resist flirting with her and asks her
for whom she is carrying the ointment. The girl, Kubja, sees the amorous
look in his eyes and being greatly taken by his beauty answers 'Dear one,
do you not know that I am a servant of Raja Kansa and though a hunchback
am entrusted with making his perfumes?' 'Lovely one,' Krishna answers,
'Give us a little of this ointment, just enough to rub on our bodies.'
'Take some,' says Kubja, and giving it to Krishna and Balarama, she allows
them to rub it on their bodies. When they have finished, Krishna takes her
under the chin, lifts her head and at the same time, presses her feet down
with his toes. In this way he straightens her back, thereby changing her
into the loveliest of girls. Filled with love and gratitude, Kubja catches
Krishna by the dress and begs him to come and visit her. Krishna promises
to go later and smilingly dismisses her.
Public-domain text, read in full here on John Shaqi.
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