E-text prepared by Jason Isbell, Ben Beasley, and the Project Gutenberg Online Distributed Proofreading Team Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations and sound files of the music. See 15618-h.htm or 15618-h.zip: (https://www.gutenberg.org/dirs/1/5/6/1/15618/15618-h/15618-h.htm) or (https://www.gutenberg.org/dirs/1/5/6/1/15618/15618-h.zip) THE LOVING BALLAD OF LORD BATEMAN. ILLUSTRATED BY GEORGE CRUIKSHANK. London Charles Tilt, Fleet Street and Mustapha Syried, Constantinople MDCCCXXXIX Warning to the Public CONCERNING THE LOVING BALLAD OF LORD BATEMAN. In some collection of old English Ballads there is an ancient ditty which I am told bears some remote and distant resemblance to the following Epic Poem. I beg to quote the emphatic language of my estimable friend (if he will allow me to call him so), the Black Bear in Piccadilly, and to assure all to whom these presents may come, that "_I_ am the original." This affecting legend is given in the following pages precisely as I have frequently heard it sung on Saturday nights, outside a house of general refreshment (familiarly termed a wine vaults) at Battle-bridge. The singer is a young gentleman who can scarcely have numbered nineteen summers, and who before his last visit to the treadmill, where he was erroneously incarcerated for six months as a vagrant (being unfortunately mistaken for another gentleman), had a very melodious and plaintive tone of voice, which, though it is now somewhat impaired by gruel and such a getting up stairs for so long a period, I hope shortly to find restored. I have taken down the words from his own mouth at different periods, and have been careful to preserve his pronunciation, together with the air to which he does so much justice. Of his execution of it, however, and the intense melancholy which he communicates to such passages of the song as are most susceptible of such an expression, I am unfortunately unable to convey to the reader an adequate idea, though I may hint that the effect seems to me to be in part produced by the long and mournful drawl on the last two or three words of each verse. I had intended to have dedicated my imperfect illustrations of this beautiful Romance to the young gentleman in question. As I cannot find, however, that he is known among his friends by any other name than "The Tripe-skewer," which I cannot but consider as a _soubriquet_, or nick-name; and as I feel that it would be neither respectful nor proper to address him publicly by that title, I have been compelled to forego the pleasure. If this should meet his eye, will he pardon my humble attempt to embellish with the pencil the sweet ideas to which he gives such feeling utterance? And will he believe me to remain his devoted admirer, GEORGE CRUIKSHANK?