The Lowest Rung: Together with The Hand on the Latch, St. Luke's Summer and The Understudy — John Shaqi
The Lowest Rung: Together with The Hand on the Latch, St. Luke's Summer and The UnderstudyCholmondeley, Mary
General
The Lowest Rung: Together with The Hand on the Latch, St. Luke's Summer and The Understudy
Cholmondeley, Mary
Short stories, English
"Had not you better shut the door? If any one passed down the road, they
would see it was open."
"It's as dark as pitch."
"Yes, but there's a little light from within. I can see you from outside
quite plainly standing in the doorway."
I led her indoors, and locked and bolted the door.
"What is this room?"
"The houseplace. I have my meals here. I live very primitively. My idea
is----"
"Then your servant may come in at any moment to lay your supper."
I could not say that she seemed nervous or frightened, but the way she
cut me short showed that she was so in reality. I was not offended, for
I am the first to make allowance when rudeness is not intentional. I led
the way hastily into the parlour.
"She never comes in here," I said reassuringly, "after she has once
brought in the lamp. I am supposed to be working, and must not be
disturbed."
"I'm not fit to come in," she said.
And in truth she was not. She was caked with mud and dirt from head to
foot, an appalling figure in the lamplight. The rain dripped from her
hair, her sinister clothing, her whole person. She looked as if she must
have hidden in a wet ditch. I gazed horror-struck at my speckless
matting and pale Oriental rugs. I had never allowed a child or dog in
the house for fear of the matting, except of course my poor Lindo, who
had died a few months previously, and whom I had taught to wipe his feet
on the mat.
A ghost of a smile twitched her grey mouth.
"Is not that the _Times_?" she said. "Spread it out four thick, and lay
it on the floor."
I did so, and she stepped carefully on to it.
"Now," she said, standing on a great advertisement of a universal
history--"now that I am not damaging the furniture, pull yourself
together and _think_. How am I to get to the stable? I can't stop here."
She could not indeed. I felt I might be absolutely powerless to get the
muddy footprints out of the matting. And no doubt there were some in the
houseplace too.
"If I go through the scullery, I may be seen," she said, the water
pattering off her on to the newspaper. "So lucky you take in the
_Times_; it's printed on such thick paper. Where does that window look
out?"
She pointed to the window at the farther end of the room.
"On to the garden."
"Capital! Then we can get out through it, of course, without going
through the scullery."
I had not thought of that. I opened the window, and she was through it
in two cautious strides.
"Now," she said, looking back at me, "I'm comparatively safe for the
moment, and so is the matting. But before we do anything more, get a
duster--a person like you is sure to have a duster in a drawer. Just so,
there it is. Now wipe up the marks of my muddy feet in the room we first
came into as well as this, and then see to the paint of the window. I
have probably smirched it. Then roll up the _Times_ tight, and put it
in the waste-paper basket."
She watched me obey her.
Public-domain text, read in full here on John Shaqi.
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