"'Whom the gods love die young,'" she began, and paused. It seemed an excellent opening, if she could only continue in the same strain, but what ought to come next? Her thoughts flew to a painting of Lady Jane Grey, which she had once seen at a loan collection of Tudor portraits. Why should she not describe it? Her pen flew rapidly as she wrote a word-picture of the sweet, pale face, so round and childish in spite of its earnest expression; the smooth yellow hair, the gray eyes bent demurely over the book. Her heroine seemed beginning to live. Now for her surroundings. A year ago Winona had paid a visit to Hampton Court, and her remembrance of its associations was still keen and vivid. She described its old-world garden by the side of the Thames, where the little King Edward VI. must often have roamed with his pretty cousin Jane: the two wonderful ill-starred children, playing for a brief hour in happy unconsciousness of the fate that faced them. What did they talk about, she asked, as they stood on the paved terrace and watched the river hurrying by? Plato, perchance, and his philosophy, or the marvelous geography-book with woodcuts of foreign beasts that had been specially printed for the young king's use. Did they compare notes about their tutors? Jane would certainly hold a brief for her much-loved Mr. Elmer, who, in sharp contrast to her parents' severity, taught her so gently and patiently that she grudged the time which was not spent in his presence. Edward might bemoan the ill-luck of his whipping-boy, who had to bear the floggings which Court etiquette denied to the royal shoulders, and perhaps would declare that when he was grown up, and could make the laws himself, no children should be beaten for badly said lessons, and Jane would agree with him, and then they would pick the red damask roses that Cardinal Wolsey had planted, and walk back under the shadow of the clipped yew hedge to eat cherries and junket in the room that looked out towards the sunset. Winona had warmed to her work. Her imagination, always her strongest faculty, completely carried her away. She pictured her heroine's life, not from the outside, as historians would chronicle it, a mere string of events and dates, but from the inner view of a girl's standpoint. Did Jane wish to leave her Plato for the bustle of a Court? Did she care for the gay young husband forced upon her by her ambitious parents? Surely for her gentle nature a crown held few allurements. The clouds were gathering thick and fast, and burst in a waterspout of utter ruin. Jane's courage was calm and hopeful as that of Socrates in the dialogues she had loved. "... your soul was pure and true, The good stars met in your horoscope, Made you of spirit, fire and dew." quoted Winona enthusiastically. Browning always stirred her blood, and threw her into poetical channels. She cast about in her mind for any other appropriate verses.