The Lumberjack Sky PilotWhittles, Thomas D. (Thomas Davis)
History
The Lumberjack Sky Pilot
Whittles, Thomas D. (Thomas Davis)
Church work with loggers -- Minnesota; Higgins, Francis Edmund, 1865-1915; Presbyterian Church -- Clergy -- Biography
Behind the upturned barrel, whose altar cloth is a coarse horse
blanket, stands the preacher. No Genevan gown lends its grace to his
figure, but coatless he stands, an earnest man, physically fearless,
powerful in the love for God and man. The hymnbooks have been passed
around, some familiar hymn is announced and the command to sing is
given. Not such music as kisses the ear of the worshiper in the
fashionable churches, where the trained voices blend in superb harmony,
is the music in the camps. It lacks in sweetness, but is not deficient
in volume and heartiness.
Scripture is read, or rather recited, for it is nearly impossible to
read in the dim light emitted by the lanterns, then the Sky Pilot
tells what the gospel can do for the loggers and what the Christ can
accomplish in them. He speaks plainly of their wasted lives, the folly
of spending their money in the saloons, in gambling dens, in brothels,
and points them to Christ, who can keep a man from all that links him
to the pit.
Do the men listen to the story of the Savior? Yes, with an interest
that can only come from soul-starved men. They have been feeding on the
husks, have known the companionship of swine in the form of men and
vampires who resembled women, have wanted love and found only vice; so
they listen gladly to the news of another life, another world, another
love that is clean and pure. Their dreams have been of heaven, but
their lives have been lived in hell, and the Sky Pilot's story seems to
make the dream attainable.
I well remember a sermon he preached on the Prodigal Son, but the
environment must be present if one is to reproduce the sermon. It was
well suited to the audience, plain, too plain for a city audience, but
an unmistakable message for the men of the forest. Figures of speech
had little place in it; of poetry there was little except the poetry
of direct simplicity; it was unadorned Anglo-Saxon with the crash and
clang of the language in its strength, but it was a story full of love,
hope and cheer that appealed to the hundred men who breathlessly
listened while the wind of winter beat the drifting snow against the
camp.
Here are some extracts given wholly from memory:
"One of the boys stayed at home and one left the old homestead. Now
it wasn't the fellow that stayed at home that the father was worrying
about, but the fellow that packed his "turkey" and went out to blow
his stake. You lumberjacks are in that youngster's place and the old
folks are wondering where you are and what you are doing. Because a man
leaves home it isn't necessary to be a prodigal, but his chances to
make a fool of himself are better if he is away from the old home and
its memories."
Then came the story of his own home-leaving and how the mother watched
him until the turn in the road hid him from view.
"That mother's prayers have followed me through life. My story is yours
with the names changed. Some one wants to hear that you still live.
Write a letter tonight.
Public-domain text, read in full here on John Shaqi.
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