It is invariably reserved for Mrs. Darling to bring me up bump against
prosaic facts in the midst of such speculations. We were standing before
the monument erected to the memory of that incredible genius, and she
greeted the alabaster figure which reclines against a topographical
background as an old friend. She knew all about the ghost in "'Amblet"
and something about someone who committed a murder in "Macbeth". She
said, referring to the nude appearance of the poet's legs, that it was
hard on the men of those days who were knock-kneed, they must have felt
very cold with nothing more on their nether limbs than what she
described as a "pair 'er bathin' drawers". A supercilious young woman
standing near turned her lorgnette on the old lady, and fearing
recriminations on the part of Mrs. D., should she discover that she was
an object of derision, I drew her with me to examine some old bosses
which I had noticed, stacked like winter logs in a corner near.
A verger explained that they were removed from the roof of the old nave
when the church was restored. He said they were all of religious
significance. A gross countenance in the act of swallowing a
problematical morsel represented, for instance, the devil consuming
Judas, whilst a hideous face with a lolling, twisted tongue, signified
the liar. There were subjects of beauty, too, and as the man proceeded
with his glib interpretation of those child-like specimens of mediæval
art, I pictured the wood carvers, high up in vaulted roofs, giving the
reins to their varied imaginations--beautiful, devout, ugly, or
grotesque; at times even bestial. What matter! No one of the worshippers
below would see the result of those patient hours of work--only the
sunbeams, finding entrance as they travelled from east to west, or the
light of the moon, stealing like a thief in the night into the darkness
and silence, touching here a rafter, there a bit of carving. And so the
artist could please himself and weave his own fancies, devout or
profane, beautiful or monstrous, up there all alone in the roof, and if
the demons and devils he created leered at the congregations beneath,
the angels smiled at them too, and meanwhile no one was the wiser or any
the worse.
And now here were the old bosses which had lived solitary and unknown in
the dizzy altitudes above the nave, brought down to earth to be stared
at and talked about. Did they appreciate the change? And would their
creators, could they have foreseen such an anti-climax, have made them
different?
I suggested to Mrs. Darling that we should go and have a look at "The
George Inn" while we were in the neighbourhood of the Borough High
Street. A policeman of whom I inquired said he had a sort of notion he
had heard of it. "Down one of those side streets that look as if there's
nothing in them," he volunteered. "About the third or fourth turning."
Public-domain text, read in full here on John Shaqi.
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