I showed Mrs. Darling the chambers in Brick Court where Goldsmith died,
and we looked in through the open door at the crooked, narrow staircase
where those poor creatures he had befriended wept for his loss on the
morning after his death. No doubt he had given them sympathy as well as
alms. _He_ knew the meaning of poverty from the day when, as a humble
physician, he hid the holes in the front of his coat with his hat when
paying visits, to the hour when, dying a debtor to the extent of two
thousand pounds, he earned Johnson's exclamation, "Was ever poet so
trusted before!"
Returning to Temple Bar, we exchanged confidences about our early
recollections of the old gate, and I wondered at the barbarity of those
times, not much more than a hundred and fifty years ago, when the heads
of traitors were spiked over the gate and allowed to rot under the eyes
of those who passed to and fro beneath. There's a lot of "frightfulness"
in old London. It reads at times very much like a penny dreadful. The
kings and queens, saints and warriors, the men of letters and gentle
poets are limned against a tenebrous background of narrow ill-lit
streets, of plague and fire, persecution and deeds of violence. There is
something of the crudeness of cheap melodrama about it all, but at the
same time a virility which satisfies.
But it grows late as I write this, and to quote Goldsmith once more,
"Let me no longer waste the night over the page of antiquity ... the
dying lamp emits a yellow gleam; no sound is heard but of the chiming
clock...."
Meanwhile, dear Agatha,
I am, yours as ever,
GEORGE.
CHAPTER VII
CARRINGTON MEWS,
SHEPHERD MARKET,
_November 25th._
Dear Agatha,--I anticipated your wish that I should make Chelsea the
object of my next pilgrimage. Mrs. D. and I went there yesterday.
The gulls were very busy about nothing over the river, and they
harmonised with the colour scheme of the afternoon. Pale sunshine, a sky
of washed-out blue, a silver river, wharves, and leafless trees in
Battersea Park veiled by a curtain which was part autumn mist and part
smoke from the factory chimneys on the south side.
The square brick tower of the old parish church makes a landmark to the
barges and steamboats on their silent passing, and at night its clock
shines out like a full moon above the plane trees which line the
Embankment.
A quaint old place it is inside, with a great west gallery that
encroaches almost to the chancel. Where the pews leave off the crowding
large tombs begin, and where the tombs end the discoloured walls are
covered with coats of arms. All this, seen by the homely light of day,
which falls through the windows of plain glass, has an intimate and
pleasant appearance. Even the ancient tombs in their proximity to the
worshippers seem friendly.
Public-domain text, read in full here on John Shaqi.
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