We walked all round the hoarding seeking entrance, and at last found a
hitherto unnoticed door. The caretaker said the Hall was not open to
visitors, except by appointment, but that if we liked we could go in. We
went and found the place like a huge, cold barn, its fine oak flooring
chalked out for Badminton, whilst into the cavernous old fireplace,
decorated with Sir John Crosby's crest--a ram, armed and hoofed--had
been put a hideous iron stove. The magnificent timber roof, forty feet
above, looked down on these innovations sadly, and the glorious oriel
window, with the old glass emblazoned with coats of arms, was eloquent
of the times when Richard, Duke of Gloucester, entertained there in
1470, and of such occasions as the visit of Princess Katherine of Aragon
to Sir Bartholomew Bird, or the masque performed by the students of
Gray's Inn before Queen Elizabeth. What changes of fortune have visited
it since! amongst which it has figured in turn as a Presbyterian Chapel
and a restaurant! The caretaker's voice echoed hollow in that husk of a
building from which the kernel is gone. It had borne its transplanting
ill, and even the ghosts, I felt, had deserted it.
Outside, we found the world transfigured by the setting sun, and I left
Crosby Hall behind with a sensation of relief. For once in my delvings
into the past I had missed the thrill, but the blood-red sun over the
river provided a compensation, and I thought of the little house where
J. M. W. Turner died close at hand. If ever he haunts the spot it would
be at such an hour, when the wizardry of the sinking sun casts its spell
of romance and mystery over the most commonplace objects. All too short
are such moments, but Turner, that mad genius who lived with his visions
of splendour in the midst of dirt and squalor, "the wizened, meagre old
man," has snatched and imprisoned for those who come after him the
fleeting miracle.
Mrs. Darling, who is tolerant of what she considers my "balmy"
propensity for "staring at nothink," occupied herself with watching the
craft on the river whilst I meditated before the little green-shuttered
house. It lies below the level of the footpath and behind the frontage
line of its neighbours, seeking, it seems, as would the man who lived,
worked and died there, to evade notice. J. M. W. Turner's action in
suddenly and secretly leaving his "den" in Queen Anne's Street to take
refuge in Cheyne Walk was dictated by a mad impulse to go into hiding,
and one pictures the flight of the strange old man who wanted only to be
left alone with his tyrannical mistress, Art. The house is described as
being "next door to a ginger-beer shop close to Cremorne Pier". There is
no ginger-beer shop now, only "The Aquatic Stores," and Cremorne has
long disappeared.
Public-domain text, read in full here on John Shaqi.
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