The lure of Piper's GlenRoberts, Theodore Goodridge
General
The lure of Piper's Glen
Roberts, Theodore Goodridge
Americans -- Canada -- Juvenile fiction; Logging -- Juvenile fiction; Young men -- Juvenile fiction
It was a frosty night. Jim went up-river, for in that direction were
his friends and the matter of his plans for the immediate future. He
had slowed to a walk as soon as the bridge over Millbrook was
crossed, and from there onward to the fork of the roads he took his
time. There he paused, considering two courses of action. Would he
make camp until daybreak, or would he press on and disturb the
slumbering Ducats? The air tingled with frost, he had overheated
himself in his flight, and he was without overcoat or blanket. He
decided to go on up the glen.
The Ducat dogs hurled themselves upon him from the woodshed, only to
retire at a word. He found the kitchen door on the latch, entered
noiselessly and closed the door. There was still a glow in the big
old cookstove which stood bodily in the older fireplace. He laid his
gun aside, removed his boots, sank into old Archie Me Kim's armchair
and fell asleep.
Flora Ducat always lit the kitchen fire (now that she was considered
grown-up) and then banged on the stove-pipe with an iron spoon. At
that signal, men arose and descended and went out to the feeding, and
the milking--Mark and his father and uncle when they were at home,
the grandfathers at other times. On this particular morning, Flora
descended to the kitchen in a red blanket dressing gown, with her
dark hair about her ears and a lamp in her right hand, and beheld a
man lolling sound asleep in a chair beside the stove. She was
startled, but she neither screamed nor dropped the lamp. She
recognized the sleeper almost instantly. It just happened that she
had been thinking of this young man while she donned the red dressing
gown and descended the backstairs and crossed the kitchen; so the
discovery was no more than a realization of the mental vision by the
physical vision, and therefore not an overwhelming shock.
Jim opened his eyes to the shine of the lamp, blinked owlishly at the
flame, then glanced higher. The girl, meeting his look squarely, saw
bewilderment give way to astonishment and astonishment to admiration.
"Why are you here, Jim?" she asked.
"Ah! So I'm awake!" he exclaimed, sitting up straight. "Of course!
I remember now. Didn't want to disturb you," he added.
"When did you come back?" she asked.
"It must have been between three and four. Amos Hammond got after me
with a gun. Fired three shots."
He pulled on his boots and stood up without lacing them.
"Did he--hit you?" she asked, her voice gone to a whisper.
He smiled and shook his head.
"And now?" she queried.
"I'm going in with Mark," he answered. "I've stood for all I'm going
to from that hypocritical, mad, crooked psalm-singer."
"I'm glad he didn't hit you, but I'm glad he fired at you," she
returned.
They lit the fire together and Jim filled the kettle. Flora banged
the pipe with the iron spoon and went upstairs. Mark came down and
found Jim lacing his boots.
Public-domain text, read in full here on John Shaqi.
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